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Related Music Theory Alchemy

The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

The chord progression in the verse of “Telepatia” by Kali Uchis showcases a mix of diatonic and chromatic harmony. The progression is built around the key of G Major and has a strong Latin and jazz-influenced sound. The use of extended chords like Gmaj7 and Em9 adds depth and sophistication to the harmony, while the non-diatonic B7 contributes to the tension and resolution.

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The chord progression from the bridge of Weezer’s “Buddy Holly” is in the key of A major. The progression presents a strong sense of tonality and features common rock/pop techniques, such as diatonic chord progressions, inversions, and the use of the minor subdominant.

“Dont Let Me Down” by The Beatles is a song that’s heavily grounded in the key of E Major, with some interesting use of borrowed chords for a richer, more emotional harmonic texture. The song is a fine example of The Beatles’ songwriting style, which often involves mixing diatonic chords with chromatic passing chords, borrowed chords, and secondary dominants.

Kali Uchis – After The Storm – Bridge

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Chord Progression

Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7

Chord Progression Analysis

“`
Amaj7 (I) – Dmaj7 (IV)
“`

Similar Chord Progressions

1. Amy Winehouse – “Stronger Than Me”
Chord progression:
“`Gmaj7 (I) – Cmaj7 (IV)“`

2. D’Angelo – “Brown Sugar”
Chord progression:
“`Cmaj7 (I) – Fmaj7 (IV)“`

These two songs, both influenced by the soul and R&B genres, employ the same I-IV alternation of major seventh chords within their respective keys as found in Kali Uchis’ “After The Storm.” This simple yet effective progression is particularly common in these genres and contributes to their characteristic smooth and mellow sound.

Musical Analysis

The use of Amaj7 and Dmaj7 chords, both of which are major seventh chords, creates a strong sense of tonality rooted in the key of A Major. The alternation between the tonic (I) and the subdominant (IV) functions to establish a relaxed and soothing vibe, as there is no tension brought on by a dominant or leading tone chord. The repetition of this two-chord progression adds to the serene and hypnotic atmosphere of the bridge, allowing the listener’s focus to be on the melodic and lyrical content.

Overall Analysis

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

Style Analysis

The style of “After The Storm” is heavily influenced by neo-soul and R&B genres. The use of major seventh chords is common in these genres, as they contribute to the lush and smooth sound often associated with soul and R&B music. Additionally, the simple, repeating pattern of the two chords in the bridge provides a stable backdrop for Kali Uchis’ vocal performance and creates a sense of continuity throughout the song.

Chords in the Bridge section of After The Storm by Kali Uchis are:

Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7