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The given chord progression is the Pre-Chorus section of “After The Storm” by Kali Uchis. The chords in this progression are predominantly built on the 1st and 2nd degrees of the minor scale. The recurring use of the Eaug chord injects an interesting and stylish twist into the music.

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

“The Long And Winding Road” by The Beatles presents us with a classic example of their innovative approach to harmony and composition. Drawing from various sources of influence, the song incorporates elements of traditional pop ballad form with a hint of the Baroque harmonic palette. This song is an excellent study in complex harmony and modulation within a pop music context, a trait that underpins much of The Beatles’ later work.

“Weezer – Island In The Sun (Bridge)” is a relatively simple yet melodically impactful chord progression that utilizes a mixture of major and minor chords. The song is in the key of G major, and the bridge follows a (V – I) D-G progression initially, before moving to the IV (C) and ii (Am) chords. The harmonic rhythm of the bridge creates a sense of resolution and adds emotional depth to the song.

Kali Uchis – After The Storm – Bridge

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Chord Progression

Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7

Chord Progression Analysis

“`
Amaj7 (I) – Dmaj7 (IV)
“`

Similar Chord Progressions

1. Amy Winehouse – “Stronger Than Me”
Chord progression:
“`Gmaj7 (I) – Cmaj7 (IV)“`

2. D’Angelo – “Brown Sugar”
Chord progression:
“`Cmaj7 (I) – Fmaj7 (IV)“`

These two songs, both influenced by the soul and R&B genres, employ the same I-IV alternation of major seventh chords within their respective keys as found in Kali Uchis’ “After The Storm.” This simple yet effective progression is particularly common in these genres and contributes to their characteristic smooth and mellow sound.

Musical Analysis

The use of Amaj7 and Dmaj7 chords, both of which are major seventh chords, creates a strong sense of tonality rooted in the key of A Major. The alternation between the tonic (I) and the subdominant (IV) functions to establish a relaxed and soothing vibe, as there is no tension brought on by a dominant or leading tone chord. The repetition of this two-chord progression adds to the serene and hypnotic atmosphere of the bridge, allowing the listener’s focus to be on the melodic and lyrical content.

Overall Analysis

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

Style Analysis

The style of “After The Storm” is heavily influenced by neo-soul and R&B genres. The use of major seventh chords is common in these genres, as they contribute to the lush and smooth sound often associated with soul and R&B music. Additionally, the simple, repeating pattern of the two chords in the bridge provides a stable backdrop for Kali Uchis’ vocal performance and creates a sense of continuity throughout the song.

Chords in the Bridge section of After The Storm by Kali Uchis are:

Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7, Dmaj7, Amaj7