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Related Music Theory Alchemy

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

The key of the song is D major which makes it easier to analyze the chord progression according to the diatonic scale in the key of D Major.

“Dazed and Confused” by Led Zeppelin is an iconic rock song that features a descending bass line and bluesy chord progressions. The outro takes on a more aggressive tone and the chords are power chords, which give the song a heavy sound. These power chords, mixed with the syncopated rhythm and the blues-rock influences, contribute to the song’s unique character.

The chord progression in the outro of Tyler, The Creator’s “See You Again” displays a mix of diatonic and borrowed chords within the key of F# major. This progression creates a smooth and somewhat jazzy feel in the music, with the inclusion of a few unexpected chords that add tension and propel the music forward.

The Beach Boys – God Only Knows – Outro

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Chord Progression

[‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’]

Chord Progression Analysis

“`
– A (I)
– E/G# (V/vi)
– F#m7 (vi7)
– E/G# (V/vi)
“`

borrowed chords:
“`
E/G# (V/vi)
“`

Similar Chord Progressions

“Here, There and Everywhere” – The Beatles
Chord progression:
“`
‘G’ (I),
‘B/G’ (III/IV),
Am7 (ii7),
‘B/G’ (III/IV)
“`

“Can’t Help Falling in Love” – Elvis Presley
Chord progression:
“`
‘D’ (I),
‘B/D#’ (IV/V),
‘Em7’ (ii7),
‘B/D#’ (IV/V)
“`

Both of these songs by other artists feature similar use of inversions and seventh chords to create distinctive progressions. While each song is distinctive, they share common elements with the innovative sound of “God Only Knows”.

Musical Analysis

The outro begins with the A chord which is the tonic of the key the song is in (A major). The ‘E/G#’ is a first inversion dominant of the vi chord (F#m) and is also a borrowed chord. The ‘F#m7’ is just the vi chord with the added seventh. Again, we have the E/G# (V/vi), and this alternation creates a tension-like resolution fashion and adds an interesting twist to the traditional pattern of chordal shifts.

Overall Analysis

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

Style Analysis

The Beach Boys were known for their sophisticated, complex harmonies that pushed the boundaries of popular music in their era. One of the groundbreaking aspects of their work was their use of non-traditional chords and progressions in their music. This outro is one such example – it uses non-diatonic, borrowed chords to create a sound that is uniquely Beach Boys.

Chords in the Outro section of God Only Knows by The Beach Boys are:

[‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’]