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Related Music Theory Alchemy

“God Only Knows” by The Beach Boys is one of their most well-known pieces and a primary example of the sophisticated harmonic writing characteristic of the group’s 1966 “Pet Sounds” record. This piece is particularly designed in the key of A major. The Outro of the song includes the following chords: ‘A’, ‘E/G#’, ‘F#m7’, ‘E/G#’ and many other chords throughout the song with complex chord changes that might not be typical in a pop song, but are characteristic of the band’s sound.

The Beach Boys’ “Good Vibrations” presents an interesting mix of major and minor chords with excellent use of chord inversions and borrowings. The song is harmonically adventurous, showcasing the band’s pop mastery with Brian Wilson’s unmatched compositional skills. This song is primarily in the key of A Major, with many borrowed chords and modulation that creates its unique feel.

The song “Hurt” by Nine Inch Nails is in the key of B minor. The verse has a simple yet effective chord progression that revolves mainly around the i, III, and IV chords with a slight deviation towards the end. The chorus is characterized by a i-VII-III-VI progression with a slight extension. The outro mostly repeats the verse progression but is shorter.

The progression starts on the suspended II chord of the key, which anticipates resolution either to the tonic (E major) or the supertonic (F# minor). However, it instead moves to the dominant minor (C# minor), suggesting a borrowed chord from the parallel minor (E minor). The D major chord which concludes the progression is a borrowed II from E minor as well.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

The Beach Boys – God Only Knows – Verse

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Chord Progression

[‘D/A’, ‘Bm6’, ‘F#m’, ‘F#m7’, ‘B/A’, ‘E/B’, ‘Cdim’, ‘E/B’, ‘A#m7b5’, ‘A’, ‘E/G#’, ‘F#m7’, ‘E’]

Chord Progression Analysis

1. D/A: D major chord over A (‘IV64)
2. Bm6: B minor, 6th chord in D major (‘vi6)
3. F#m: F# minor chord (‘iii in A)
4. F#m7: F# minor seventh chord (‘iii7 in A)
5. B/A: B major chord over A (‘V64/V)
6. E/B: E major over B (‘V64)
7. Cdim: C diminished chord (‘ii° in B)
8. E/B: E major over B (‘V64)
9. A#m7b5: A sharp minor 7th flat 5th chord (°vii7 in B)
10. A: A major chord (‘I in A)
11. E/G#: E major over G# (‘V6 in A)
12. F#m7: F# minor 7th chord (‘vi7 in A)
13. E: E major chord (‘V in A)

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The borrowed chords here are B major over A (a secondary dominant, or ‘borrowed’ from the key of E) and A#m7b5 (half-diminished chord borrowed from the key of B).
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Similar Chord Progressions

Whilst “God Only Knows” features unique chord progression, there are other artists known for their experimental approach to harmony such as Stevie Wonder and The Beatles.

1. “You Never Give Me Your Money” by The Beatles, with its distinctive segment of Em7 – A7 – Dmaj7 – D7, also exhibits interesting chord movement.
2. “As” by Stevie Wonder, especially in its chorus with the progression Bm7 – E11 – Amaj7, directly creates a dramatic tone by temporary modulation from A major to B minor before returning to the home key again.

However, it is worth noting that “God Only Knows” is seen as particularly unique due to its intricate weaving of borrowed chords and multiple key changes within its brief 2:52 duration.

Musical Analysis

The use of borrowed chords and intricate progressions creates an almost narrative soundscape. A good example is the progression from F#m7 to B/A. It evokes a feeling of longing due to the half-step motion from the submediant to the secondary dominant of the dominant. The use of secondary dominants and leading-tone chords enhances the sense of key movement and harmonic tension and release.

Overall Analysis

“God Only Knows” by The Beach Boys showcases the artistic depth and compositional craft of Brian Wilson, the band’s primary songwriter. The song utilizes a complex chord progression and key changes that are unconventional for pop music of its time. The chord progression creates a sense of constant mood transitions, similar to arias in Romantic era music.

Style Analysis

In “God Only Knows,” The Beach Boys leverage unexpected but pleasantly surprising chord changes and harmonic developments, a characteristic common to Brian Wilson’s songwriting. This sophistication, combined with the song’s orchestration and layered harmonies, imbues the music with a symphonic feel that sets The Beach Boys apart from their contemporaries.

Chords in the Verse section of God Only Knows by The Beach Boys are:

[‘D/A’, ‘Bm6’, ‘F#m’, ‘F#m7’, ‘B/A’, ‘E/B’, ‘Cdim’, ‘E/B’, ‘A#m7b5’, ‘A’, ‘E/G#’, ‘F#m7’, ‘E’]