The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.
“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.
“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.
The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).
“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.
The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.
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