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“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

The second guitar solo in “Comfortably Numb” by Pink Floyd is based on a simple five-chord progression, spanning two diatonic tonalities (i.e., B minor and G major). This progression heavily relies on the B Aeolian mode (or natural minor scale) and showcases the band’s affinity for modal interchange and progressive rock elements.

“Comfortably Numb” is a song by Pink Floyd from their 1979 album, The Wall. It is written in the key of D major and has a slow, dreamy tempo. The second verse of the song features a chord progression that is a blend of major and minor chords, giving the song a sense of melancholy mixed with a calming atmosphere. It also deviates from the typical pop/rock chord progressions, signifying Pink Floyd’s distinct sound and innovative use of harmony.

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

The given chord progression belongs to the verse 2 of the song “Apocalypse Please” by Muse. This progression reflects the band’s signature style that combines elements of rock, classical, and electronic music. The chords follow a pattern that combines both diatonic and chromatic movement, creating a dramatic and intense feel. A unique feature in this progression is the use of slash chords, which adds further harmonic interest.

Pink Floyd – Goodbye Blue Sky – Verse 2

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Chord Progression

D, A7/D, G/D, D, A7/D, G/D, D, D, Am/D

Chord Progression Analysis

D (I) – A7/D (V7/IV) – G/D (IV) – D (I) – A7/D (V7/IV) – G/D (IV) – D (I) – D (I) – Am/D (i/IV)

Similar Chord Progressions

1. The Beatles – “Lucy in the Sky with Diamonds”
Chord progression: A (I) – A7 (V7) – D (IV) – Bb (bIII) – A (I)

2. Radiohead – “Paranoid Android”
Chord progression: Gm (i) – Cm/G (iv) – A7 (V7/V) – D (V) – Gm (i)

In both examples, non-diatonic chords and borrowed chords are used similarly to “Goodbye Blue Sky.” These chord progressions create a sense of tension and release, contributing to their respective atmospheric and emotional soundscapes.

Musical Analysis

The verse progression follows a prevalent pattern in popular music: I-IV-I. The D, G/D, and A7/D chords serve as the primary harmony for this verse in the key of D major. However, there is a notable non-diatonic chord – Am/D. This borrowed chord comes from D minor (the parallel minor) and is used to create an unexpected shift in harmony and add a sense of tension in the music. The pedal tone (the constant D note in the bass) also contributes to the overall sense of stability while allowing the chords above to change their tonality.

Overall Analysis

“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

Style Analysis

“Goodbye Blue Sky” showcases Pink Floyd’s signature style of progressive rock with elements of folk and psychedelic rock. The use of acoustic guitar and vocal harmony gives a haunting, dream-like atmosphere, which suits the themes of war and destruction in the song lyrics. The utilization of borrowed chords and pedal tones adds to the progressive nature of the music, pushing the boundaries of conventional chord progressions.

Chords in the Verse 2 section of Goodbye Blue Sky by Pink Floyd are:

D, A7/D, G/D, D, A7/D, G/D, D, D, Am/D