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“Goodbye Blue Sky” is a song by Pink Floyd from their 1979 album “The Wall.” It is a progressive rock piece with acoustic guitar and vocal harmony that creates a haunting and atmospheric sound. The chord progression in Verse 2 demonstrates the use of non-diatonic chords, pedal tones, and borrowed chords, giving it a sense of tension and release. This unique combination of chords contributes to the overall distinctive mood of the song.

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

“Penny Lane” by The Beatles is a pop rock song released in 1967. Musically, the track displays characteristics of the “Baroque pop” style combine with psychedelic pop. The composition is multifaceted with complex chord progressions inspired by classical music, as well as elements of the British music hall style, specifically brass band influences throughout.

The chord progression in Beck’s “Nobody’s Fault But My Own” from Verse 1 features a mix of diatonic and borrowed chords, primarily from the D Major scale but also incorporating chords from the parallel minor and other related keys. This gives the progression a unique and fresh sound that sets it apart from more traditional progressions. Notably, there are several pedal points using the D root throughout the progression, which helps maintain a sense of tonal center.

The song “It’s A Fire” by Portishead features complex harmonic structures, distinguished by a fusion of pop, rock, and elements of jazz harmonies. The band, known for their trip-hop style, employ chromatically richer harmony and non-diatonic chord progressions in this piece. The chord progression of ‘It’s A Fire’ is consistent with this approach as we see the frequent use of suspended and minor chords alongside major ones, which creates a sense of unresolved tension. Borrowed chords, usually taken from the parallel minor or major key, are also used frequently to add stylistic color to the harmony.

Pink Floyd – Goodbye Blue Sky – Verse 1

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Chord Progression

Am, B/A, Am, A7, D, A, D, Bm, D, Bm

Chord Progression Analysis

A minor (i) – B major/A (VI/iv) – A minor (i) – A dominant 7th (V7) – D major (IV) – A major (I) – D major (IV) – B minor (ii) – D major (IV) – B minor (ii)

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VI/iv = borrowed chord from the parallel minor of the relative major (A major)
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Similar Chord Progressions

1. “While My Guitar Gently Weeps” by The Beatles:
A minor (i) – A major (I) – G major (VII) – E minor (v) – D major (IV) – A major (I) – C# minor (iii) – F# minor (vi)

2. “Stairway to Heaven” by Led Zeppelin (intro section):
A minor (i) – G sharp diminished 7th (vii°7) – C major (III) – D major (IV) – F major (VI) – A minor (i) – G major (VII) – A minor (i)

While these progressions by The Beatles and Led Zeppelin are not exact matches to “Goodbye Blue Sky,” they share similar harmonic devices and modulations that create a similar sense of movement and emotion.

Musical Analysis

The progression starts with A minor, establishing the key as A minor. The second chord, B major/A, is a borrowed chord (VI/iv) from the parallel minor of the relative major (A major) that creates tension. The progression then returns to A minor before moving to A dominant 7th, functioning as a secondary dominant chord leading to D major, which is a common modulation from A minor to D major (IV).

The progression then moves to A major (I) before repeating D major (IV) and then going to B minor (ii), a diatonic chord in the key of A major. This suggests a shift to the relative major key of A major. Finally, the progression alternates between D major (IV) and B minor (ii) before continuing with the rest of the song.

Overall Analysis

“Goodbye Blue Sky” by Pink Floyd is a beautifully haunting piece with a chord progression that demonstrates their innovative use of borrowed chords and modulation to explore various tonal centers. The song is generally in the key of A minor.

Style Analysis

The chord progression used in “Goodbye Blue Sky” is an example of Pink Floyd’s innovative style when it comes to harmony and modulation. The borrowed chord and the modulation from A minor to D major and then to the relative major key (A major) makes the progression more complex and brings emotional depth to the song. This helps to create the overall haunting atmosphere of the piece.

Chords in the Verse 1 section of Goodbye Blue Sky by Pink Floyd are:

Am, B/A, Am, A7, D, A, D, Bm, D, Bm