Search

Related Music Theory Alchemy

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

“Eight Days A Week” by The Beatles is in the key of D major. The song features a handful of basic major and minor chords with a sprinkling of interesting harmonic developments such as the E7 transition chord and the use of the B minor chord which provide a rich palette of colors for the progression.

“Can’t Buy Me Love” is a song in C Major. The Beatles were renowned for their use of a variety of chord progressions, and this song certainly lives up to that reputation. Although the progression in the verse primarily consists of the chords ‘C7’, ‘F7’, and ‘C’, it’s the way they are harmonically linked that makes it really interesting.

“Brown Sugar” by The Rolling Stones is based in the key of C major. The verse has a simple and catchy chord progression that primarily revolves around the I and IV chords in the key, with brief excursions to the dominant and a borrowed chord from the parallel minor key. This structure contributes to the song’s bluesy and rock’n’roll sound.

“Castles Made Of Sand” is a song by Jimi Hendrix, featured on the 1967 album “Axis: Bold as Love.” The chord progression in the verse is notable for its use of both diatonic and chromatic chords, creating a complex harmonic structure that reflects the intricate guitar work and emotive lyrics of the song.

The Beatles – Eleanor Rigby – Verse 1

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]

Chord Progression Analysis

Here is the chord progression for Verse 1 with the full chord names.

Em (i), C (VI), C (VI), Em (i), Em (i), C (VI), Em (i)

Similar Chord Progressions

1. Radiohead’s song “Creep.” Although not the same, it follows a resonating pattern of switching between a minor chord (in this case G minor) and a major chord (B major).

G (I), B (III), C (IV), Cm (iv)

2. Johnny Cash’s “Hurt”. This song follows a similar pattern of oscillating between A minor and F major.

Am (i), C (III), D (IV), G (VII)

3. Lana Del Rey’s “Summertime Sadness” also follows a vaguely similar progression in B minor.

Bm (i), G (VI), D (III), A (VII)

The above examples demonstrate a similar treatment of minor-major chord oscillation in their progressions.

Musical Analysis

The song’s melancholic tonality is rooted in its E minor centricity and the cyclical pattern of moving between E minor and C major. The E minor chord works as the tonic (home chord), whereas the motion to C major provides a brief, partial sense of relief from the somber tonality of E minor. It is important to mention here that C Major is the relative major of E minor which adds to the continuity of the overall sound. The lack of chordal variation prominently focuses the listener’s attention on the melody and lyrics.

Overall Analysis

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

Style Analysis

The Beatles were known for their innovative use of chord progressions and exploratory approach to songwriting, in which regard, “Eleanor Rigby” stands out as one of their most unusual compositions. The absence of any traditional rock instrumentation (like drums, bass, or guitar) and featuring a double string quartet, adds a baroque/classical tinge making the song highly unorthodox for a pop/rock band in the late 1960s.

Chords in the Verse 1 section of Eleanor Rigby by The Beatles are:

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘Em’]