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Related Music Theory Alchemy

“Eleanor Rigby’” is a song by The Beatles, released on their 1966 album “Revolver”. Being unusually somber and profound for a pop song, it showcases The Beatles’ expanding musical palette and their desire to move past the conventional parameters of popular music at the time. The song itself is crafted entirely around the key of E minor, with only occasional diversions to the IV chord (C Major). It strongly exhibits the use of Aeolian mode (commonly known as the ‘natural’ minor) and employs string quartet instrumentation, a unique stylistic pattern at that time.

“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.

Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

The chord progression in Verse 3 of Daniel Caesar’s “Get You” consists of a mix of diatonic chords and borrowed chords from the parallel minor. The overall tonality is in the B minor key. The smooth, soulful sound of the progression is achieved through the use of minor chords, mixed with major seventh chords, and the cycle of fifths progression in some measures.

The Beatles – Eleanor Rigby – Verse 3

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Chord Progression

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘C’, ‘Em’]

Chord Progression Analysis

The verse 3 uses a repetitive I-♭VI-I sequence with an overall key of E minor.

“`
E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)

E minor (‘I’)
C major (‘♭VI’)
“`

Similar Chord Progressions

1. “All Along The Watchtower” by Bob Dylan also oscillates between two chords (Am and G) which creates a feeling of tension and unease.

“`
A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)

A minor (‘I’)
G major (‘♭VII’)
“`

2. “With or Without You” by U2 has a chord progression of D – A – Bm – G, repeating throughout the song, a technique called an ostinato.

“`
D major (‘I’)
A major (‘V’)
B minor (‘vi’)
G major (‘IV’)
“`

Musical Analysis

The Em chord gives a melancholic and dark feeling while the C chord provides some relief with a relatively more uplifting tone. However, the rapid alternation between these two chords imparts an overall feeling of complexity and melancholy which is in line with the song’s lyrical content about loneliness and isolation.

Overall Analysis

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

Style Analysis

“Eleanor Rigby” demonstrates an innovative use of the Aeolian mode in pop music. Its emotive use of strings and the two-chord progression successfully conveys a melancholic atmosphere. The song doesn’t have a traditional chorus and is more similar to classical compositions or folk storytelling. The Beatles’ ability to create a unique musical landscape with simple chords illustrates their pioneering genius in songwriting.

Chords in the Verse 3 section of Eleanor Rigby by The Beatles are:

[‘Em’, ‘C’, ‘C’, ‘Em’, ‘Em’, ‘C’, ‘C’, ‘Em’]