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Related Music Theory Alchemy

The chord progression in the chorus of Beck’s “Lord Only Knows” is in the key of B Major and features some chromaticism and borrowed chords that give it a unique and somewhat unexpected sound. The chords move predominantly in fourths and fifths. The nature of the progression is reminiscent of rock and folk music, but Beck’s quirky and stylistic approach also evokes an alternative feel.

“Heart Is A Drum” by Beck is a song with a somewhat unconventional chord progression in the hook that features major and minor chords, as well as a borrowed minor chord. It has a melancholic and introspective feeling to it. The style can be associated with the indie folk-pop genre.

“Yesterday” is predominantly composed in the key of F Major. The song is a classic in pop songwriting and showcases the effective use of borrowed chords to capture a unique, nostalgic sound that has made it one of the most covered songs in pop music. Specifically, in this verse, the use of secondary dominants and borrowed chords from the parallel minor key provides the song’s distinctive tonal color.

The chord progression of the given segment from Muse’s “Apocalypse Please” reflects the band’s signature blend of rock, electronic, and classical music. The progression is in the key of F# minor and features some chromaticism and modal mixture, which is quite common in their style of music. The harmonic rhythm is mostly consistent, and the chords utilized provide a strong sense of direction and resolution throughout the verse.

“Eleanor Rigby” is known for its unusual and innovative use of the Aeolian mode, otherwise known as the natural minor scale, which is reflected in the chord progression Em – C. The song incorporates string arrangements and has a narrative, storytelling style. Unlike most pop and rock songs of the time, it does not contain drums or guitars. The chord utilization is simple with only two chords used throughout, Em and C, but it nevertheless creates a unique and haunting soundscape.

Beck – Lord Only Knows – Verse 3

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Chord Progression

B, D, A, F#, E, B, D, A, F#, E, B, F#, E, B, D, A, F#, E

Chord Progression Analysis

B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II), B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II), B Major (I), F# Major (IV), E Major (II), B Major (I), D Major (bIII), A Major (V), F# Major (IV), E Major (II)

Borrowed Chords:
“`
D Major (bIII)
“`

Similar Chord Progressions

1. “Girl from the North Country” by Bob Dylan
Chord progression: D Major (I), G Major (IV), A Major (V), Bb Major (bIII), G Major (IV), D Major (I)

2. “Go Your Own Way” by Fleetwood Mac
Chord progression: F Major (I), G Major (V), Ab Major (bIII), F Major (I), G Major (V), Ab Major (bIII), F Major (I), G Major (II), F Major (I), Bb Major (IV)

3. “The Weight” by The Band
Chord progression: G Major (I), Bb Major (bIII), F Major (VII), G Major (I), Bb Major (bIII), F Major (VII)

Note that these songs may not share the exact same chord progression as “Lord Only Knows” but they do have similarities, including the use of the borrowed bIII chord.

Musical Analysis

In this chord progression, the song starts in the key of B Major. The progression moves between the tonic (I), subdominant (IV), and dominant (V) chords, which are typical in tonal music. The interesting twist in this progression is the presence of the borrowed bIII chord (D Major).

The bIII chord (D Major) is borrowed from the parallel minor (B minor) and creates a feeling of tension and contrast to the tonal center of B Major. This tension-release dynamic adds depth and intrigue to the chord progression, giving it a sense of movement and unpredictability.

Overall Analysis

“Lord Only Knows” by Beck is a blend of folk and country with a touch of alternative rock. The song features an interesting chord progression, especially in Verse 3, which includes a mixture of major and minor chords as well as a few borrowed chords.

Style Analysis

“Lord Only Knows” combines elements of folk, country, and alternative rock in its chord progression and arrangement. The use of the borrowed bIII chord in Verse 3 is reminiscent of the harmonic language found in folk and country music, while the slightly unconventional structure and the blend of major and minor chords lend a nod to the alternative rock genre.

Chords in the Verse 3 section of Lord Only Knows by Beck are:

B, D, A, F#, E, B, D, A, F#, E, B, F#, E, B, D, A, F#, E