Music Theory Alchemy

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The bridge of Beck’s “Heart Is A Drum” features a mixture of diatonic chords and borrowed chords. This creates a sense of continuous flow, which is commonly found in many popular music songs. The progression contains primary chords (G, C, and F) and a secondary chord (Dm7).

The chord progression in the hook of Beck’s “Heart Is A Drum” is in the key of C major and follows a strong diatonic harmonic structure, with the exception of the Dm7, which acts as a borrowed chord from the parallel minor (C minor). The progression exudes a feeling of longing and nostalgia, typical of many popular songs in the indie-folk genre.

“Wild Horses” by the Rolling Stones is performed in the key of G major. However, the initial chord progression beginning on B minor gives it a modal feel, specifically borrowing chords from G Lydian mode (IV of D Major). It’s an interesting mixture of folky rock with a touch of the blues, and the chord progression is largely based around the typical I-IV-V progression found in many rock songs, but with many deviations and additions.

Key: G Major

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

The chord progression in Verse 2 of Beck’s “Say Goodbye” showcases a unique blend of chords that are not commonly heard together in popular music. The mix of major, minor, and borrowed chords creates an interesting and engaging sound. Its distinctive quality can be found in the use of the A# major chord, which is not diatonic to the key of G major.

Beck – Heart Is A Drum – Verse 2

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Chord Progression

C, Dm7, C, C, Dm7, C

Chord Progression Analysis

C Major (I) – Dm7 (ii7) – C Major (I)

Similar Chord Progressions

1. “Let It Be” by The Beatles: C Major (I) – G Major (V) – A minor (vi) – F Major (IV)
2. “Hallelujah” by Leonard Cohen: C Major (I) – A minor (vi) – F major (IV) – G major (V) – E minor (iii) – A minor (vi)
3. “Imagine” by John Lennon: C Major (I) – F Major (IV) – C Major (I) – F Major (IV) – G major (V) – F Major (IV) – C Major (I) – E Major (‘V/vi’)

While the specific chord progressions above are not identical to that of “Heart Is A Drum,” they share some similarities in their use of simple major and minor harmonies in establishing an emotional connection with the listener.

Musical Analysis

The progression consists of only two chords: C Major (I) and Dm7 (ii7). It begins with a tonic chord (C major) which establishes the home key. This is followed by a Dm7 chord, which is the ii7 chord in the progression, creating a sense of smoothness and warmth compared to a more traditional ii chord (Dm). The progression then returns to the tonic C major, before repeating. This simple, yet effective structure provides the foundation for the emotional landscape present throughout the song.

Overall Analysis

“Heart Is A Drum” by Beck, from the album Morning Phase (2014), features a simple but effective chord progression in the key of C major. This song can be classified as alternative folk rock, and the harmonies used in the chord progression are quite common in this genre, as well as popular music in general. The progression creates a sense of nostalgia and emotional resonance, elevated by Beck’s lyricism and vocal delivery.

Style Analysis

As an alternative folk rock song, “Heart Is A Drum” incorporates elements of both folk and rock styles with its acoustic instrumentation and layered production. The simplicity of the chord progression is reminiscent of traditional folk styles, while the presence of a seventh chord (Dm7) adds an additional layer of harmonic complexity commonly found in popular music.

Chords in the Verse 2 section of Heart Is A Drum by Beck are:

C, Dm7, C, C, Dm7, C