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Related Music Theory Alchemy

“Love of My Life” by Queen exhibits a very romantic and classical style, resonant of popular ballads primarily from the classical and romantic periods. The song beautifully plays with complex harmonies, frequent key changes and borrowings from parallel keys (modal mixture), which together yield a dramatic and emotional expression. Many of the chords used, including diminished chords, fully diminished seventh, major-minor seventh chords, and usage of secondary dominants are reminiscent of 19th-century Romantic music.

“Save Me” by Queen is a rock ballad that uses a complex mix of traditional popular song structures and common rock chord progressions. The song structure is largely verse-chorus, but then there’s a bridge serving as the solo section, and finally ends with repeating choruses. The chord progression for the chorus utilizes a variety of chord inversions, diatonic chords, and non-diatonic or borrowed chords, which are typical of Queen’s music style.

The chord progression in verse 2 of Stephen Sanchez’s “Until I Found You” is tonal and grounded in the key of G major throughout. The progression follows a strong, clearly structured pattern with repeated use of the G, Bm, C chords and a concluding D chord used to transition to the following sections. Stephen Sanchez makes significant use of the I-iii-IV chord progression in G major (G-Bm-C), which gives the song its flowing, harmonically stable character.

“California Kids” by Weezer is a pop rock song with influences from alternative and power pop. The chord progression in Verse 2 shows a blend of diatonic and borrowed chords, which contributes to a slight sense of tension and resolution throughout the progression. The chords in the verse also exhibit movement by step (C to C/B) and a mixture of major and minor tonalities.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

Queen – Love Of My Life – Verse 2

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Chord Progression

[‘A’, ‘F#m’, ‘Bm’, ‘E’, ‘E7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘Em’, ‘A’, ‘D’]

Chord Progression Analysis

Below are the full chord names and their corresponding Roman numerals.

“`
A [I]
F#m [vi]
Bm [ii]
E [V]
E7 [V7]
A [I]
A7 [I7]
D [IV]
Bm [ii]
F#m [vi]
G [bVII] (Borrowed Chord)
D [IV]
G [bVII] (Borrowed Chord)
D [IV]
Bm [ii]
Em [v]
A [I]
D [IV]
“`

Similar Chord Progressions

The Beatles’ “Let It Be” has a similar progression in its verse:

“`
C [I]
G [V]
Amin [vi]
F [IV]
“`

John Lennon’s “Imagine” uses a similar kind of complex chord progression:

“`
Cmaj7 [I]
Cmaj [I]
Fmaj [IV]
Cmaj/E [I]
Fmaj [IV]
Fmaj/E [IV]
Dm [ii]
Dm/C [ii]
Fmaj [IV]
G11 [V11]
G7 [V7]
“`

Once again, like Queen, the Beatles and John Lennon were known to mix common and uncommon chord progressions quite creatively. As a result, their songs create a unique emotional landscape within the listener’s mind.

Musical Analysis

The second verse of “Love of My Life” starts with an ascending sequence of fifth relationship from A (I) chord to D (IV) chord. E7, which is the V7 of A, acts as the dominant chord to return to A maj. The F#m (vi) chord then modulates to Bm (ii), followed by a resolution back to A (I).

The G chord is the interesting chord in this sequence as it’s a borrowed chord from A Mixolydian mode, and is a common technique for creating contrast within the progression. The song also uses plenty of seventh chords, indicative of Queen’s operatic style.

Overall Analysis

“Love of My Life” is a stunning ballad written by Freddie Mercury of Queen. The song is written in the key of A major and is primarily played on piano. It features a sophisticated and somewhat unconventional chord progression that serves as the foundation for Mercury’s versatile vocal performance. It’s arguably one of Queen’s more classical-influenced pieces and makes use of borrowed chord techniques frequently, which are commonly associated with the band’s flirtation with different musical styles, including rock, classical, and opera.

Style Analysis

The chord progression clearly illustrates Queen’s unique blending of rock, opera, and classical music, capturing the theatrical grandiosity that the band is known for. These chords give each verse a cycle of significant emotional shifts, apt to the song’s theme of love and loss.

Chords in the Verse 2 section of Love Of My Life by Queen are:

[‘A’, ‘F#m’, ‘Bm’, ‘E’, ‘E7’, ‘A’, ‘A7’, ‘D’, ‘Bm’, ‘F#m’, ‘G’, ‘D’, ‘G’, ‘D’, ‘Bm’, ‘Em’, ‘A’, ‘D’]