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Related Music Theory Alchemy

“Bullet With Butterfly Wings” by The Smashing Pumpkins features a chord progression that uses a lot of power chords (fifth chords) which demonstrates its grungy, rock oriented style. It also incorporates major, minor, and suspended second chords, making it an interesting combination of simplicity and complexity.

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“The Smashing Pumpkins” in the song ‘1979’ has used a somewhat unconventional yet memorable chord progression, particularly in the bridge section. This progression creates a certain mood and melodic texture befitting the song’s laid-back yet emotionally resonant feel.

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“All My Loving” by The Beatles is a mid-tempo pop song written in the key of E minor for the verse and D Major for the bridge and outro, featuring a distinct, upbeat walking bassline. The grey, almost mournful verses, along with the brighter, major-toned bridges and chorus, create a juxtaposition of feelings within the piece. The bridge also highlights The Beatles’ use of secondary dominants and chromaticism. Concluding in the tonic key of D Major, the song has an interesting interplay between Em and D Major throughout, which could be perceived as a Em: i, VI, III, II and D: vi, V7, I, vi, IV, ii, I progression.

The given chord progression is found in Verse 2 of Tyler, The Creator’s song “Are We Still Friends.” The song is in the key of E major, and the progression features a mix of major, minor, and dominant seventh chords. The distinctive chromatic movement and the use of borrowed chords make for a memorable and unique progression. The combination of these elements results in a lush and emotionally charged progression which contributes greatly to the overall feel of the song.

“Glory Box” by Portishead from the album Dummy (1994) presents a haunting and somewhat melancholy ambience commonly found in their trademark trip-hop style. This song, in particular, draws from a palette of jazz-influenced harmony. The chords used, their extensions, and inversions, conjure complexity beyond basic triadic harmony. The chord progression listed appears to be in the key of D minor and employs common jazz techniques like ii-V-I progressions and usage of the half-diminished chord.

The Smashing Pumpkins – Bullet With Butterfly Wings – Verse 2

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Chord Progression

[‘B5’, ‘Em’, ‘G5’]

Chord Progression Analysis

The verse progression could be loosely placed in the key of E minor, but the absence of thirds in the power chords leaves this ambiguous. In this key, the B5 could be called a B minor (bVII), Em would be the tonic (i), and G5 the submediant (bVI).

The full chord names and their roman numerals (in the context of E minor) would be:

“`
B minor (bVII)
E minor (i)
G major (bVI)
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Note: It is important to observe that the ‘5’ in the chord names indicates that these are ‘5th’ or ‘power’ chords, which only consist of the root and the perfect fifth – they don’t contain the third (which usually determines the major/minor quality of a chord).

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”: F5 – Bb5 – Ab5 – Db5 – known for its similar use of power chords.

2. Soundgarden – “Outshined”: G5 – Bb5 – D5 – Eb5 – spanning several different keys on a consistent progression of power chords.

3. Radiohead – “Creep”: G5 – B5 – C5 – Cm5 – although this Radiohead classic isn’t grunge, per se, it does feature ambiguous tonality brought about by power chords.

4. Black Sabbath – “Iron Man”: B5 – D5 – E5 – a classic example of power chord use in early metal and rock.

Remember, the nature of power chords gives them a universal quality, usable in any genre for any mood – they don’t convey a specific mood themselves without a broader musical context. Context and treatment are exactly what bands like Smashing Pumpkins brought to bring new life to this simple harmonic device.

Musical Analysis

The mixture of power chords in a minor key setting, particularly the raised subtonic (VII), is characteristic of the grunge style. They contribute to the overall ambiguous tonal center, which can be seen as characteristic of much of The Smashing Pumpkins’ work, and most notably the grunge and rock genres of the period. Being ‘power’ chords, they contain no third – and therefore give a neither major nor minor tonality.

Overall Analysis

“The Bullet With Butterfly Wings” by The Smashing Pumpkins essentially revolves around the use of power chords, or 5th chords, to project a raw, grungy intensity. The chord progression (B5, Em, G5), extracted from the second verse of the song, is prominent throughout. The use of power chords results in a composition that doesn’t transpose to a traditional major or minor key, but fits within a modal framework.

Style Analysis

The grunge era was known for its heavy uses of power chords, ambiguous tonal center, and dark lyrical themes – all characteristics present in “Bullet With Butterfly Wings”. The Smashing Pumpkins were unique in their extensive use of quartal harmonies (based on intervals of a fourth), tonal ambiguity, and frequent oscillation between chords.

Chords in the Verse 2 section of Bullet With Butterfly Wings by The Smashing Pumpkins are:

[‘B5’, ‘Em’, ‘G5’]