Music Theory Alchemy

Search

Related Music Theory Alchemy

“Purple Haze” by Jimi Hendrix is a classic rock song centered around the blues and psychedelic rock styles. The verse features an interesting and unconventional chord progression, which adds to the distinctive sound of the piece. The verse progression itself consists of four chords: E7#9, G, A, and E.

Jimi Hendrix’s “Castles Made of Sand” is an interesting and unique composition with an innovative chord progression. The song is in the key of G major and is characterized by an engaging and complex harmonic structure that showcases Hendrix’s skill as a songwriter and performer. The chord progression, though relatively simple, creates a sense of depth and movement uncommon during that time period.

The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

“Wish You Were Here” by Pink Floyd is a classic rock ballad from their 1975 album of the same name. The song features an introspective and expressive melody with a predominantly acoustic instrumentation. The chord progression for Verse 2 demonstrates a blend of diatonic and non-diatonic chords, with borrowed chords from parallel modes, which adds to the emotional depth of the piece.

“Feeling Good” by Muse is a cover of the song originally written by Anthony Newley and Leslie Bricusse for the 1964 musical “The Roar of the Greasepaint – The Smell of the Crowd”. Muse’s version is characterized by its distinct blend of jazz, rock, and pop influences, with strong orchestration and stylistically unique elements that give the song a modern edge while still paying homage to its classic roots.

Jimi Hendrix – Purple Haze – Verse 2

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

E7#9, G, A, E

Chord Progression Analysis

The E7#9 chord, often referred to as the “Hendrix Chord,” is a dominant 7th chord with a raised 9th. This chord creates a strong sense of tension, which is released when the progression moves to the G chord. The G chord, as a borrowed bIII chord from the parallel minor key, adds a sense of modal mixture and contributes to the psychedelic and bluesy feel of the song. The progression then moves to an A chord, the IV chord in the key of E Major, before resolving back to the tonic E chord. This circular and nontraditional progression adds excitement and unpredictability to the song.

Similar Chord Progressions

Musical Analysis

The use of the E7#9 chord is characteristic of Hendrix’s style, reflecting his affinity for blending blues elements into his rock compositions. The integration of modal mixture (borrowed chords), as seen in the G chord, is evocative of the psychedelic aesthetic that was prevalent during the late 1960s. The irregular chord progression also lends a unique, exploratory feel to the piece, which mirrors the adventurous spirit of the time period.

Overall Analysis

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

Style Analysis

1. Cream – “Sunshine of Your Love”
Chord progression: D (I), G (IV), A (V), C (bVII), G (IV), A (V)

2. The Beatles – “While My Guitar Gently Weeps”
Chord progression: A (I), C#m (iii), F#m (vi), C (bIII), G (bVII), A (I)

3. Led Zeppelin – “Hey Hey What Can I Do”
Chord progression: G (I), C (IV), D (V), F (bIII), D (V)

Chords in the Verse 2 section of Purple Haze by Jimi Hendrix are:

E7#9, G, A, E