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The chord progression in MGMT’s “Congratulations” contains a mix of diatonic and non-diatonic chords, which provide a combination of stability and tension throughout the progression. The harmonic rhythm is slow, and the progression is mostly driven by bass line movement and voice leading. The mixture of borrowed chords, inversions, and suspended chords contributes to the overall unique character of the piece.

The chord progression in the chorus of “Kids” by MGMT is a repetitive and catchy sequence that features four chords, showcasing MGMT’s characteristic electronic pop and psychedelic rock sound. The progression is in the key of A Major, and the chords follow a vi-IV-I-V pattern.

“Hallelujah” by Jeff Buckley is a popular and iconic song that showcases Jeff Buckley’s unique vocal talent and emotional delivery. The song is in the key of C major and features a simple yet effective chord progression. The song’s memorable melody is accompanied by guitar, which uses arpeggiated fingerpicking. This adds to its musical depth and also creates dynamic rhythmic interest. The song builds in intensity as it progresses, and this, along with the powerful lyrics, contributes to the overall emotional impact of the piece.

“Yet Again” by Grizzly Bear uses a repetitive verse structure that has a fairly common, major-oriented progression, but develops interest by alternating the exact sequence of chords that it employs. This gives the song a haunting but familiar atmosphere. The mixture of minor and major chords, along with the presence of a borrowed chord, creates tension and release within each verse.

The chord progression in Verse 3 of Beck’s “Say Goodbye” features an interesting mixture of diatonic and chromatic chords with noticeable tonal shifts. The progression is G – A# – Am – C – G – A# – Am – C, with an emphasis on the G major key. This progression conveys an expressive and slightly unstable mood, creating tension and release with the inclusion of borrowed and non-diatonic chords.

MGMT – Congratulations – Verse 3

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Chord Progression

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4

Chord Progression Analysis

G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/♭7) – Am (ii) – Asus2 (ii(add9)) – Am (ii) – G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/♭7) – Am (ii) – Asus2 (ii(add9)) – Am (ii) – G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – D (V) – Dsus4 (Vsus4)

“` Borrowed Chord: Dsus4 (Vsus4) “`

Similar Chord Progressions

1. Fleetwood Mac – “Landslide”:
C (I) – G/B (V/♭7) – Am7 (vi7) – G (V) – D/F# (♯IV/♯3) – D7/F# (♯IV7/♯3) – G (I) – D/E (♯IV/2)

2. Radiohead – “No Surprises”:
F (I) – Em7 (iii7) – A (V) – A/B (V/♭7) – F (I) – G (II) – Am (iii) – G (II)

3. The Beatles – “While My Guitar Gently Weeps”:
Am (i) – Am/G# (i/♯7) – Am/G (i/♭7) – Am/F# (i6) – Am/F (i/♭6) – Am/E (i/5) – D (IV) – G (VII) – E (V)

Musical Analysis

The chord progression in “Congratulations” primarily consists of diatonic chords (G, Em, C, Am, and D), which indicate that the song is in the key of G major. In addition to these diatonic chords, there are several inversions in the progression that give the song a smooth and natural flow. These inversions occur with G/F# (I/♯7) and C/B (IV/♭7). Additionally, MGMT employs extended chords such as Em7 (vi7) and Asus2 (ii(add9)) to add more depth to the harmonic palette.

Moreover, the use of the borrowed chord Dsus4 (Vsus4) adds a sense of tension and release, as the suspended chord resolves to the tonic, G (I).

Overall Analysis

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

Style Analysis

The chord progression in “Congratulations” can be seen as characteristic of MGMT’s style. The band is known for their eclectic blend of pop, psychedelic rock, and electronic music. This can be observed in the innovative harmonic structure and use of borrowed chords, inversions, and extended chords, all common traits in the styles mentioned above.

Chords in the Verse 3 section of Congratulations by MGMT are:

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4