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Related Music Theory Alchemy

The chord progression in the verse of “Congratulations” by MGMT is an interesting blend of conventional pop and classical harmonies with some use of borrowed chords. The progression features mostly diatonic chords in the key of G major, but there are moments of modal interchange and suspensions that add color and tension to the progression.

The chord progression in the refrain of MGMT’s “Weekend Wars” is an intriguing combination of diatonic and borrowed chords. It primarily features chords from the key of A minor and C major, with some noticeable out-of-key chords that add color and tension to the progression.

“1979” by The Smashing Pumpkins employs a variety of chords throughout the song, including major, major 7th, and minor 7th chords. The chord progression varies between sections but is based mostly on a mid-tempo groove in the key of E Major. The song utilizes common pop/rock conventions to create a dreamy and nostalgic soundscape, with the juxtaposition of the major and minor 7th chords adding complexity.

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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MGMT – Congratulations – Verse 3

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Chord Progression

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4

Chord Progression Analysis

G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/♭7) – Am (ii) – Asus2 (ii(add9)) – Am (ii) – G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – C/B (IV/♭7) – Am (ii) – Asus2 (ii(add9)) – Am (ii) – G (I) – G/F# (I/♯7) – Em (vi) – Em7 (vi7) – C (IV) – D (V) – Dsus4 (Vsus4)

“` Borrowed Chord: Dsus4 (Vsus4) “`

Similar Chord Progressions

1. Fleetwood Mac – “Landslide”:
C (I) – G/B (V/♭7) – Am7 (vi7) – G (V) – D/F# (♯IV/♯3) – D7/F# (♯IV7/♯3) – G (I) – D/E (♯IV/2)

2. Radiohead – “No Surprises”:
F (I) – Em7 (iii7) – A (V) – A/B (V/♭7) – F (I) – G (II) – Am (iii) – G (II)

3. The Beatles – “While My Guitar Gently Weeps”:
Am (i) – Am/G# (i/♯7) – Am/G (i/♭7) – Am/F# (i6) – Am/F (i/♭6) – Am/E (i/5) – D (IV) – G (VII) – E (V)

Musical Analysis

The chord progression in “Congratulations” primarily consists of diatonic chords (G, Em, C, Am, and D), which indicate that the song is in the key of G major. In addition to these diatonic chords, there are several inversions in the progression that give the song a smooth and natural flow. These inversions occur with G/F# (I/♯7) and C/B (IV/♭7). Additionally, MGMT employs extended chords such as Em7 (vi7) and Asus2 (ii(add9)) to add more depth to the harmonic palette.

Moreover, the use of the borrowed chord Dsus4 (Vsus4) adds a sense of tension and release, as the suspended chord resolves to the tonic, G (I).

Overall Analysis

The chord progression in Verse 3 of “Congratulations” by MGMT features a mix of diatonic and non-diatonic chords. The song appears to be in G major, and the progression showcases several common techniques such as the use of inversions (G/F#), borrowed chords (Dsus4), and extended chords (Em7).

Style Analysis

The chord progression in “Congratulations” can be seen as characteristic of MGMT’s style. The band is known for their eclectic blend of pop, psychedelic rock, and electronic music. This can be observed in the innovative harmonic structure and use of borrowed chords, inversions, and extended chords, all common traits in the styles mentioned above.

Chords in the Verse 3 section of Congratulations by MGMT are:

G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, C/B, Am, Asus2, Am, G, G/F#, Em, Em7, C, D, Dsus4