Search

Related Music Theory Alchemy

“Creep” by Radiohead is a song in the key of G major that features a four-chord progression in its verse 2, which is distinctive for its use of a borrowed chord from the parallel minor (G minor). Although the song’s simple harmonic structure is quite common in pop music, its use of a borrowed chord adds an element of surprise and emotional depth, establishing Radiohead’s unique sound.

The piece “Reckoner” by Radiohead features a chord progression that can be analyzed in the key of E minor, which is a relatively common key for rock music. Its harmonic content exhibits some standard and some unusual behavior, with various instances of borrowed chords and chord changes that result in a unique sound. The progression demonstrates an interesting blending of styles, combining elements from rock, electronic, and alternative genres, which is characteristic of Radiohead’s unique sound.

The chord progression can be divided into three main sections (please see the details below). The first section is based around the I chord (C), the second section introduces the IV chord (F), then it returns to the I chord. The third section introduces a borrowed chord (bVII – Bb from C Mixolydian), a V chord (G), then returns to the I chord with a brief excursion back to the V chord. There is repetition in this section with the return to the I chord.

**
“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

**

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

Radiohead – Creep – Verse 3

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

G, B, C, Cm

Chord Progression Analysis

G major (I) – B major (III) – C major (IV) – C minor (iv)

`The C minor chord (iv) is a borrowed chord from the parallel minor key (G minor).`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps” (verse): A minor (i) – A Major (I) – C# minor (iv) – G Major (VII)
2. David Bowie – “Space Oddity”: C major (I) – E minor/F major (III / VI) – F major (IV) – F minor (iv)
3. Muse – “Muscle Museum”: E major (I) – G# major (III) – A major (IV) – A minor (iv)

These examples illustrate the use of borrowed chords and unconventional progressions in popular music. They demonstrate that other artists have employed similar techniques to create emotive and captivating songs.

Musical Analysis

The progression starts with the tonic chord (G major), establishing a sense of stability. It then moves to B major, a major chord built on the mediant (III) of the G major scale. This chord is quite unusual in a major key, as it is typically expected to be a minor chord (B minor).

Next, the progression continues to C major, the subdominant (IV) chord. This chord is quite common in popular music and offers some resolution before the final twist in the progression.

The last chord, C minor (iv), is borrowed from the parallel minor key (G minor), which makes it chromatic and adds another layer of tension and unsettledness. This borrowed chord is responsible for the dark, melancholic atmosphere of “Creep.”

Overall Analysis

“Creep” by Radiohead is a song in the key of G major that gained significant attention for its melancholic lyrics and distinctive chord progression. The verse chord progression features major chords, followed by a switch to a minor chord, which creates an unexpected twist and contributes to the emotive quality of the song. This specific progression is relatively rare in popular music but has been used in various other songs.

Style Analysis

“Creep” is generally classified as alternative rock, with its introspective lyrics, distorted guitar sound, and the unique chord progression that defies typical songwriting conventions. The use of borrowed chords, such as the prominent C minor (iv), is a practice that can be traced back to classical music traditions and remains relatively uncommon in modern pop and rock music.

Chords in the Verse 3 section of Creep by Radiohead are:

G, B, C, Cm