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The overall chord progression of “A Hard Days Night” by The Beatles fluctuates between major and minor keys which adds a level of emotional complexity to the song. The use of borrowed chords and unique transitions makes it a noteworthy piece in the realm of 20th-century popular music.
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“Maxwell’s Silver Hammer” by The Beatles is a track that showcases the band’s fondness for creating complex and textured compositions by combining multiple melody lines with innovative chord sequences in a pop rock context. It features numerous musical styles, including pop, rock, and music hall, which reflects the band’s eclectic musical influences. The Coda of the song takes place in the key of D major.
The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.
“Yesterday” by The Beatles showcases the innovative use of chord progressions that the group is known for. This song, unlike their other songs, includes borrowed chords and numerous secondary dominant chords. It also uses their favored approach of mixing chords from parallel major and minor scales, hence creating a ‘blended’ modal effect.
Moreover, it uses a mixolydian ♭7 in the main chord sequence, which is quite a popular trick among songwriters for shifting the tonic of a song.
“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.
“All You Need Is Love” is in the key of G major. The song primarily uses the chords within the key signature and has a relatively simple harmonic structure. However, the song does utilize a few distinct chord choices that contribute to its unique sonic character. The song applies modal interchange with an inclusion of A minor from the G Mixolydian mode and the D7 and D6 which evoke a hint of the D Mixolydian mode.
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