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“Time” by Pink Floyd is a progressive rock piece characterized by its reflective lyrics, syncopated rhythms, and distinctive use of chromaticism and modality. This chord progression takes place in the third verse of the song, where the harmonic structure is more complex and features borrowed chords, creating a sense of tension and resolution, reflecting the lyrics and conveying emotions of nostalgia and regret.

“Guilty as Sin?” by Taylor Swift uses a chord progression in the verse that reflects a more nuanced and reflective approach, suitable for a song with a contemplative or emotive theme. The interplay between minor and major seventh chords creates a lush, complex sound that elevates the song’s introspective and somewhat moody lyrical content.

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“Jolene” by Dolly Parton is a classic country song written in A minor. Its chord progression is an iconic reflection of the country and folk genres, and is a study of simplicity and effective songwriting.

The chord progression of “Jolene” uses primarily diatonic chords but also includes a borrowed chord which introduces a touch of complexity to the harmonic structure of the song.

Pink Floyd – Us And Them – Verse

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Chord Progression

Dsus2, Esus2/D, Faug/D, G/D, Dsus2, Esus2/D, Faug/D, G/D

Chord Progression Analysis

Here are the full chord names and their Roman numerals:

Dadd9 (I) – Esus2/D (‘II’) – D+6 (I+6) – G/D (IV) – Dadd9 (I) – Esus2/D (‘II’) – D+6 (I+6) – G/D (IV)

Similar Chord Progressions

It’s challenging to find chord progressions that are very similar to “Us and Them” because of its uniqueness. However, here is an example of a slightly similar chord progression, which also makes use of non-diatonic chords and slash chords:

“Everybody Wants to Rule the World” by Tears for Fears:

Dsus2 (I) – G/D (IV) – A7sus4 (V7sus4) – G/D (IV) – Dsus2 (I)

In this progression, we can observe a focus on extended and suspended chords that provide a floating feel like the one found in “Us and Them.” While the progressions aren’t exactly the same, they share a common approach to creating a lush harmonic landscape.

Musical Analysis

The chords in the progression are predominantly from D Mixolydian mode, which is the fifth mode of G Major. The main deviation from the D Mixolydian mode is the Esus2/D chord, making it a borrowed chord. The chord progression starts with the Dadd9, a sus2 chord, establishing the tonality in D. It then moves to Esus2/D, a non-diatonic chord, which adds an unexpected touch to the progression. Following this, we have the Faug/D (D+6) chord, an augmented chord that creates tension that resolves when it moves to G/D, a standard IV chord in D Mixolydian mode.

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Borrowed Chords: Esus2/D
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Overall Analysis

The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.

Style Analysis

The chord progression in “Us and Them” exhibits Pink Floyd’s signature style, often characterized by their use of non-diatonic and extended chords, which create a sense of spaciousness and ethereal soundscapes. The use of the D note in the bass throughout the progression adds a pedal point that gives the progression a sense of stability, despite the non-diatonic chords and the tension created by the augmented chord. The sus2 chords further contribute to the atmospheric quality of the music.

Chords in the Verse section of Us And Them by Pink Floyd are:

Dsus2, Esus2/D, Faug/D, G/D, Dsus2, Esus2/D, Faug/D, G/D