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Related Music Theory Alchemy

“Hey You” by Pink Floyd is a progressive rock song from the concept album “The Wall.” The song is characterized by its atmospheric sound created through a combination of acoustic and electric guitars, haunting vocals, and a variety of effects. The chord progression of Verse 3 is interesting as it features a mix of diatonic chords, borrowed chords, and extensions such as the add9 chords that contribute to the song’s unique sound.

The chorus of the Pink Floyd song “Breathe” features a mixture of diatonic and non-diatonic chords and creates a dreamy, spaced-out mood. The combination of major and minor seventh chords, as well as dominant 7th chords with altered 9ths, contributes to this atmospheric quality.

The chord progression in the bridge of “Gone, Gone” by Tyler, The Creator can be described as a combination of diatonic and borrowed chords from the parallel minor key. The key of the song is F major, and the progression combines elements of pop, R&B, and jazz, creating a distinctive harmonic sound.

The given chord progression consists of five unique chords: Am, D, G, Em, and D repeated in a structured pattern. The progression is in the key of G major, with one borrowed chord. This chord progression is a good example of Weezer’s mix of rock and pop styles, displaying a strong use of diatonic harmony with a touch of chromaticism.

“Riptide” by Vance Joy is in the key of C major. The chord progression is a repeated sequence of Am, G, C and Fmaj7, with the Fmaj7 being a borrowed chord from the parallel minor, C minor. Given that the majority of the song follows this pattern, it’s simple yet effective, providing a catchy and persistent structure to the song.

Pink Floyd – Hey You – Bridge

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Chord Progression

C, D, G, D, C, C, D, G, D, C, C, D, G, D, C, C, D, Emadd9

Chord Progression Analysis

C Major (I) – D Major (V/IV) – G Major (IV) – D Major (V/IV) – C Major (I) – C Major (I) – D Major (V/IV) – G Major (IV) – D Major (V/IV) – C Major (I) – C Major (I) – D Major (V/IV) – G Major (IV) – D Major (V/IV) – C Major (I) – C Major (I) – D Major (V/IV) – E minor add9 (iii)

“`Borrowed Chord: D Major (V/IV)“`

Similar Chord Progressions

1. David Bowie – “Heroes”:
D Major (I) – G Major (IV) – C Major (VII) – G Major (IV) – D Major (I)

2. The Beatles – “Let It Be”:
C Major (I) – G Major (IV) – A minor (vi) – F Major (IV) – C Major (I) – F Major (IV) – C Major (I) – G Major (V)

3. Oasis – “Wonderwall”:
E minor7 (i) – G Major (III) – Dsus4 (VII) – Asus4 (iv)

These songs share similarities with the Hey You bridge chord progression in terms of their use of simple chord progressions that create a sense of tension and release, and the use of borrowed chords.

Musical Analysis

The chord progression begins with the tonic chord, C Major, followed by the borrowed D Major chord, which functions as the secondary dominant of the G Major chord (IV). The progression then moves to G Major, creating a sense of resolution. The D Major chord appears again, before moving back to the tonic, C Major. This pattern repeats three more times before resolving to the E minor add9 chord, adding a subtle touch of tension at the end of the progression.

Overall Analysis

The chord progression in the bridge of “Hey You” by Pink Floyd is a relatively simple progression that revolves around the C Major and G Major chords, with brief appearances of D Major and E minor add9 chords. The piece showcases Pink Floyd’s signature progressive rock style, with steady changes between chords and a sense of tension and release.

Style Analysis

This chord progression is characteristic of Pink Floyd’s progressive rock style, with its use of borrowed chords and steady, rhythmic changes between chords. The simplicity of the progression allows the listener to focus on the melodic and harmonic elements of the song. The progression also exhibits a sense of tension and release, a common feature of Pink Floyd’s music.

Chords in the Bridge section of Hey You by Pink Floyd are:

C, D, G, D, C, C, D, G, D, C, C, D, G, D, C, C, D, Emadd9