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“I Sat By The Ocean” by Queens of the Stone Age is in the key of E major and utilizes a mix of diatonic chords (i.e., chords native to the key of E major) and borrowed chords (i.e., chords borrowed from parallel or related keys).

Pre-Chorus

“In My Head” by Queens of the Stone Age shows a variety of complex chord progressions that are often seen in alternative rock and other sub-genres of rock music. The chord progressions seem to use a combination of modal and chromatic harmony which gives it an edgy and intriguing sound quality.

The verse chord progression in Beck’s “Girl Acoustic” features a bright and uplifting feel, with a mix of major and minor chords. The progression is in the key of A major and showcases a simplicity that is common in pop and folk music.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

Queens of the Stone Age – I Sat By The Ocean – Verse

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Chord Progression

[‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#m’, ‘G#’, ‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#’, ‘G#’]

Chord Progression Analysis

Here is the verse chord progression analyzed in Roman numerals:

“`
G# (I), A# (II), B (III), F# (V/vi), G# (I), F# (V/vi), E (♭VI), C#m (v), G# (I), G# (I), A# (II), B (III), F# (V/vi), G# (I), F# (V/vi), E (♭VI), C# (V/v), G# (I)
“`

C#m and C# are borrowed chords. Specifically, they’re borrowed from the parallel minor of G# (G# minor).

Similar Chord Progressions

Most artists don’t have the exact same progression as this verse, but Nirvana’s “About a Girl” has similar chord structures. Though it doesn’t borrow chords, it frequently moves between the I and the (♭)VI, like the verse of “I Sat By The Ocean”.

Here’s “About a Girl”:

“`
Em (i), G (♭III),
“`

Additionally, the verse chord progression of “Under the Bridge” by Red Hot Chili Peppers is similar. It uses the I, V/vi, vi, and IV chords – similar to the use in “I Sat By The Ocean”.

“Under The Bridge”:

“`
E (I), B (V), C#m (vi), G#m (iii), A (IV), E (I), B (V)
“`

Musical Analysis

The verse begins on the root note of G#, progressing up a whole step to A#, and another half step to B, creating a level of tension. This tension is released through a descending progression starting at F# (borrowed from the key of C# minor), back to G#, then F#, then getting resolved by moving to E (which is the bVI of G# major). This drops to the borrowed minor v chord, C#m, before going back to the I chord, G#. This pattern repeats once more but ends on C# instead of C#m, for a less resolute ending and adding more tension/resolution cycles to the progression.

Overall Analysis

“I Sat By The Ocean” by Queens of the Stone Age employs multiple chords which creates a complex and engaging harmony in the verse. The song is in the key G# major and it uses multiple borrowed chords from other keys. It’s worth noting that Queens of the Stone Age has a distinct sound that incorporates elements of stoner rock, heavy metal, and alternative rock into their material. Sizeable use of power chords that gives the song its heavy rock feel.

Style Analysis

Queens of the Stone Age are known for their unique mix of heavy elements with more standard rock traditions. This chord progression encapsulates that innovative approach. The use of borrowed chords and the balance between tension and resolution contribute to a trademarks of their hard rock style.

Chords in the Verse section of I Sat By The Ocean by Queens of the Stone Age are:

[‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#m’, ‘G#’, ‘G#’, ‘A#’, ‘B’, ‘F#’, ‘G#’, ‘F#’, ‘E’, ‘C#’, ‘G#’]