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This chorus from The Beatles’ “The Continuing Story Of Bungalow Bill” is an example of clever use of common chord transitions with several shifts in tonality. The chord progression uses the tonic key of C Major and F minor, showing complex modulation derived from modal interchange and secondary dominant techniques.

The chord progression in the verse of “Help!” by The Beatles is quite characteristic of their style, using common chords but in interesting and unusual ways. The verse of “Help!” notably presents a mix of classic pop chord progression (I-vi-ii-V), secondary dominant chords and chromatic progressions. The Beatles often incorporated novel harmonic structures that added depth and complexity to their pop music, as evidenced in this piece.

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

“Hey Jude,” by The Beatles, is an iconic song. The chord progression is in the key of D major and it follows a sort of Variation on I-V-IV-I progression of many pop and rock songs. However, what makes this song extremely unique is its out-of-the-box structure and the experimental use of borrowed cords – it shows The Beatles’ fondness for combining elements of pop, rock and classical music and results in an emotional, powerful progression that resonates strongly with listeners.

The Verse of “Us and Them” by Pink Floyd showcases a unique and non-diatonic chord progression that focuses on D mixolydian mode with added sus2 chords and an augmented chord. It deviates from traditional harmony patterns and creates a spacious, floating feel. The chords occur in a consistent pattern and are mostly slash chords with the constant presence of the D note in the bass, which further strengthens the D tonality.

The Beatles – The Continuing Story Of Bungalow Bill – Verse

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Chord Progression

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]

Chord Progression Analysis

The chord progression for the verse is analyzed as follows:

* A minor (i chord in A minor key)
* C major (III chord in A minor key / borrowed chord from A major)
* F major (VI chord in A minor key / borrowed chord from F major)
* G major (VII chord in A minor key / borrowed chord from G major)

`A minor (‘i’), C major (‘bIII’), F major (‘bVI’), G major (‘bVII’)`.

* E major (V chord in A minor key / borrowed chord from A major)
* G major (VII chord in A minor key / borrowed chord from G major)
* A minor (i chord in A minor key)
* F minor (VI chord in F minor key / borrowed chord from F minor)

`E major (‘V’), G major (‘bVII’), A minor (‘i’), F minor (‘iv’)`.

Similar Chord Progressions

The cyclical nature of the chord progression is reminiscent to other works like Radiohead’s “House of Cards”, which uses a similar sequence adjusted to different keys:

* B minor (i chord in B minor key)
* D major (VI chord in B minor key / borrowed chord from D major)
* G major (III chord in B minor key / borrowed chord from G major)
* A major (IV chord in B minor key)

`B minor (‘i’), D major (‘bVI’), G major (‘bIII’), A major (‘iv’)`.

In its core progression, this Radiohead’s song shares the use of a minor i chord, major IV, & suggestive borrowed chords, albeit in a different key.

Musical Analysis

The song features a cyclical four-chord progression that goes through A minor, C major, F major, and G major chords twice, invoking a sense of movement in the verse. The shift to E major provides a brief moment of tension before resolving back to A minor. The inclusion of F minor introduces a spookier, exotic sound that heightens the drama of the song, which is further intensified by the use of borrowed chords.

Overall Analysis

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

Style Analysis

As for style notes, the Beatles were known for their innovative and unconventional use of harmony and melody. They frequently used borrowed chords and modal interchange, blending elements of different musical modes within a single song. “The Continuing Story of Bungalow Bill” exemplifies this approach, and the surprising shift to F minor contributes to its unique character.

Chords in the Verse section of The Continuing Story Of Bungalow Bill by The Beatles are:

[‘Am’, ‘C’, ‘F’, ‘G’, ‘Am’, ‘C’, ‘F’, ‘G’, ‘E’, ‘G’, ‘Am’, ‘Fm’]