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The chord progression in the chorus of “Kids” by MGMT is a repetitive and catchy sequence that features four chords, showcasing MGMT’s characteristic electronic pop and psychedelic rock sound. The progression is in the key of A Major, and the chords follow a vi-IV-I-V pattern.

The chord progression in the verse of “Time To Pretend” by MGMT is primarily built around the key of D major. It features a simple and repetitive structure, with some variations. The chords used are mainly triads and simple extensions, with the occasional use of suspended chords (Dsus2) to create tension and release. The progression showcases the band’s ability to create an engaging and immersive soundscape, while keeping the harmony relatively simple.

“Something I Can Never Have” by Nine Inch Nails features a haunting and melancholic chord progression typical of the alternative rock and industrial rock genres. The tonality of the piece centers around the key of C major, with occasional borrowed chords and chromaticism adding emotional color and tension. The verse and chorus sections both feature a similar pattern of repeating chords as well as a descending bass line connecting the chords, giving the piece cohesion.

“Have You Ever Seen The Rain” by Creedence Clearwater Revival is a classic rock song written in the key of C Major. It’s a brilliant representation of 60s and 70s folk-rock music with a chord sequence that is very recognizable, even to this day.

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The chord progression in “Ramona” by Beck is a blend of diatonic and chromatic harmony with some borrowed chords from outside the key. The piece is in the key of G major, and it features several instances of voice leading, smooth transitions between chords, and the occasional unexpected chord that adds interest and depth to the progression.

MGMT – Kids – Verse

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Chord Progression

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#

Chord Progression Analysis

F# minor (vi) – D major (IV) – A major (I) – E major/G# (V)

Borrowed Chords:
There are no borrowed chords in this progression.

Similar Chord Progressions

1. Journey – “Don’t Stop Believin’” (E major)
Chord progression: C#m (vi) – A (IV) – E (I) – B (V)

2. The Chainsmokers & Coldplay – “Something Just Like This” (B major)
Chord progression: G#m (vi) – E (IV) – B (I) – F# (V)

3. Green Day – “Boulevard of Broken Dreams” (F minor)
Chord progression: Fm (vi) – Db (IV) – Ab (I) – Eb (V)

Musical Analysis

The verse of “Kids” starts with the vi (F#m) chord which produces a somber, yet somewhat ambiguous tonal characteristic due to utilizing the 1st, 3rd, and 6th scale degrees. The progression then moves to the IV (D) chord, a subdominant chord that introduces a contrasting, but still consonant, tonal color. The next chord, I (A), is the tonic chord and provides a sense of resolution and consonance. Finally, the V (E/G#) chord with the 3rd in the bass (G#) adds tension by setting up a dominant-function that resolves back to the vi (F#m) chord.

Overall Analysis

The chord progression for the verse of “Kids” by MGMT is a simple and diatonic progression in the key of A major, following the vi-IV-I-V pattern. It is common in pop music and creates a sense of tension and release throughout the progression. The chords are played using predominantly major and minor triads, with an inversion in the V chord (E/G#).

Style Analysis

This chord progression has a modern pop/rock vibe. The repetition of the vi-IV-I-V pattern creates a catchy and memorable hook that supports the melody. The use of predominantly major and minor triads provides a clean and familiar sound, while the V chord’s inversion adds interest to the progression.

Chords in the Verse section of Kids by MGMT are:

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#