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Related Music Theory Alchemy

The chord progression in MGMT’s “Kids” is quite simple and based on a single chord throughout the instrumental sections, focusing mainly on creating a catchy melody and rhythm. The simplicity of the progression reflects the musical styles seen in synth-pop and electronic dance music genres.

“Weekend Wars” by MGMT features a distinctive and slightly unconventional chord progression. The verse is in D minor and consists of 22 chords, providing a unique and somewhat complex harmonic landscape. The majority of the chords used are diatonic, but there are also borrowed chords and other non-diatonic chords which contribute to the song’s unique character.

Chord Progression:
Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III), Dm (i), C (VII), G (IV), C (VII), G (IV), F (III), Dm (i), C (VII), F (III), Am (v), F (III)

Dm – D minor
C – C major
G – G major (borrowed chord)
F – F major
Am – A minor

“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

“Right Where It Belongs” by Nine Inch Nails is a song characterized by its melodic and harmonic structure. It has a unique yet familiar sound, blending pop and alternative rock elements with its rich chord progression and powerful melody.

“Boulevard of Broken Dreams” by Green Day, released in 2004, is an alt-rock anthem that largely follows a 4-chord progression throughout the song. The key signature of the song is E minor (derived from the root chord), and essentially all chords used in the song are diatonic, meaning they are derived from the scales of the key. The chorus shifts to a progression in C Major. However, it returns to E minor at the end.

MGMT – Kids – Chorus

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Chord Progression

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#

Chord Progression Analysis

F# Minor (vi) – D Major (IV) – A Major (I) – E/G# Major (V6)

“`
F#m (vi) – D (IV) – A (I) – E/G# (V6)
“`

Similar Chord Progressions

1. Coldplay – “Viva La Vida”:
F#m (vi) – D (IV) – A (I) – E (V)

2. Journey – “Don’t Stop Believin’”:
D Major (I) – Bm (vi) – G (IV) – A (V)

3. The Cranberries – “Zombie”:
Em (vi) – C(IV) – G(I) – D(V)

4. OneRepublic – “Apologize”:
Cm (vi) – Ab (IV) – Eb (I) – Bb (V)

These examples share similar chord progressions in either the same or different keys. The songs listed also showcase the ubiquitous nature of the vi-IV-I-V progression in popular music across different eras and genres. The chord sequences are known for eliciting an emotional response and creating a sense of familiarity with the listener.

Musical Analysis

The progression starts on the relative minor (F#m), creating a somewhat somber and contemplative feel before moving to the uplifting D Major chord. The shift to the tonic (A Major) establishes the tonal center and provides a sense of resolution. The final E/G# chord, with G# in the bass, adds tension and anticipation, propelling the progression back to the beginning. The movement from the F#m to D (vi-IV) is a common progression in popular music, and the overall vi-IV-I-V pattern is often associated with a sense of nostalgia or wistfulness. The repetition of this sequence throughout the chorus aids in making it memorable and engaging.

Overall Analysis

The chord progression in the chorus of “Kids” by MGMT is a repetitive and catchy sequence that features four chords, showcasing MGMT’s characteristic electronic pop and psychedelic rock sound. The progression is in the key of A Major, and the chords follow a vi-IV-I-V pattern.

Style Analysis

In terms of style, “Kids” by MGMT showcases their electronic pop and psychedelic rock influences. The song features simple, yet impactful melodies and harmonies, coupled with a driving beat and layered synths, creating a retro-futuristic soundscape. The chord progression’s repeated nature and the balance between minor and major chords are typical in pop and rock genres, while the extensive use of synthesizers and electronic elements lends itself to a modern and psychedelic feel.

Chords in the Chorus section of Kids by MGMT are:

F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#, F#m, D, A, E/G#