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“If You’re Wondering If I Want You To (I Want You To)” by Weezer has a chorus featuring a chord progression in the key of D major. The progression includes chords from both the major and minor scales while still primarily using diatonic chords from D major. The style of the progression is reminiscent of 90s alternative rock, and it finds similarity with other iconic chord progressions in rock music.

The chorus of Weezer’s song “Say It Ain’t So” can be analyzed as a simple and memorable chord progression in the key of C major. The progression features a repeating pattern of four chords: Am, E, F, and C.

The chord progression from Muse’s “Hate This And I’ll Love You” displays a mix of diatonic and borrowed chords from the parallel minor. The progression is in the key of A major and shows an unconventional use of chords that gives the song its unique sound. It also showcases certain characteristics of Muse’s music style that includes complex chord progressions and frequent changes between major and minor harmonies.

Chord Progression Analysis and Roman Numerals:

A ('I'), Gm ('bVII'), D/F# ('IV/V'), A ('I'),
Gm ('bVII'), D ('IV'), A ('I'), Gm ('bVII'),
D/F# ('IV/V'), A ('I'), Gm ('bVII'), D/F# ('IV/V')

The borrowed chord in this progression is Gm, taken from the parallel minor, A minor:
`Gm (‘bVII’)`

The verse chord progression in Beck’s “Girl Acoustic” features a bright and uplifting feel, with a mix of major and minor chords. The progression is in the key of A major and showcases a simplicity that is common in pop and folk music.

“The Continuing Story of Bungalow Bill” features a verse in A minor with a brief but significant shift to F minor, due to the use of borrowed chords or modal mixture. Notably, it showcases The Beatles’ sophisticated approach to harmonization, utilizing unconventional chord progressions & modulations that are cyclical.

Weezer – If Youre Wondering If I Want You To I Want You To – Verse

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Chord Progression

D, Bm, G, Bb, A, D, D, Bm, G, Bb, A, D

Chord Progression Analysis

D (I) – Bm (vi) – G (IV) – Bb (`bVI`) – A (V) – D (I)

Similar Chord Progressions

1. Radiohead – “Creep” [‘G’, ‘B’, ‘C’, ‘`Cm`’, ‘G’, ‘B’, ‘C’, ‘`Cm`’]
G (I) – B (III) – C (IV) – `Cm (iv)`

2. The Beatles – “Something” [‘C’, ‘Cmaj7’, ‘C7’, ‘F’, ‘`Fm`’, ‘C’, ‘G’, ‘C’]
C (I) – Cmaj7 (Imaj7) – C7 (V7/IV) – F (IV) – `Fm (iv)` – C (I) – G (V) – C (I)

The chord progressions in these songs also feature borrowed chords from their respective parallel minor keys, adding interesting harmonic twists to otherwise simple chord progressions.

Musical Analysis

The verse features a six-chord progression that starts with the tonic chord D major (I). It then moves to B minor (vi), acting as a predominant, followed by G major (IV), a subdominant that strengthens the predominant function. The fourth chord in the progression, Bb major (`bVI`), is a borrowed chord from the parallel minor key (D minor), introducing a chromatic element that adds some tension and interest. Following the borrowed chord, the progression goes to A major (V), which is the dominant to resolve back to the tonic D major (I).

Overall Analysis

The chord progression of the verse in Weezer’s “If You’re Wondering If I Want You To I Want You To” uses a combination of diatonic and borrowed chords in the key of D Major. The use of the borrowed chord from the parallel minor key contributes to the unique sound of the progression.

Style Analysis

Weezer’s music is known for its catchy melodies and clever lyrics, often drawing from rock, punk, and power-pop influences. The use of borrowed chords in this progression, such as the `bVI` chord, adds color, and creates a mix of familiarity and novelty that keeps the listener engaged. This is a common technique in rock and pop music to make the harmony more interesting.

Chords in the Verse section of If Youre Wondering If I Want You To I Want You To by Weezer are:

D, Bm, G, Bb, A, D, D, Bm, G, Bb, A, D