Music Theory Alchemy

Search

Related Music Theory Alchemy

“You And Whose Army?” by Radiohead is an alternative rock song featuring an interesting chord progression in the bridge. The chord progression is characterized by its dynamic movement and integration of non-diatonic chords. The progression is in the key of C# minor, and it displays unique qualities that allow it to stand out from traditional chord progressions. The combination of borrowed chords and voice leading creates a sense of tension and excitement, which contributes to the song’s overall atmosphere.

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

Kali Uchis’ “Telepatia” features a relatively simple two-chord progression in the outro, consisting of a major seventh chord followed by a dominant seventh chord. The harmonic texture is sparse yet effective, with a unique, ethereal atmosphere created by the interplay between the two chords.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

Radiohead – You And Whose Army – Outro

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#

Chord Progression Analysis

C#m – i
E – III (borrowed chord from C# major)
F# – V/v (secondary dominant of the borrowed III chord)
C# – I (borrowed chord from C# major)

“`
| C#m (i) | E (III) | F# (V/v) | C# (I) |
“`

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps”
Chord Progression:

“`
| Am (i) | A (I) | E (V) | G (VII) |
“`

2. Muse – “Space Dementia”
Chord Progression:

“`
| Bm (i) | D (III) | Bm (i) | G (VI) |
“`

3. Coldplay – “Clocks”
Chord Progression:

“`
| Ebm (i) | Bb (V) | Gb (III) | Fm (v) | Ab (VII) | Ebm (i) | Bb (V) | Ab (VII) |
“`

Musical Analysis

The chord progression’s use of borrowed chords and secondary dominants creates complexity and interest, while maintaining a sense of tonality with the strong I/i resolution. The borrowed III creates a surprise shift in tonality, which is further emphasized by the secondary dominant V/v leading back to the I chord. This mixture of major and minor qualities gives the progression an ambiguous and dreamy feel that is often found in Radiohead’s music.

Overall Analysis

This chord progression from Radiohead’s “You And Whose Army” is in the key of C# minor, and the chords are predominantly composed of diatonic chords from the C# natural minor scale with some borrowed chords from the parallel major scale. The progression follows a looped pattern, creating a hypnotic and catchy quality which is characteristic of Radiohead’s music.

Style Analysis

This chord progression is characteristic of Radiohead’s atmospheric, innovative style. It is cleverly composed, with the mix of major and minor chords creating a mesmerizing and emotive feel, which suits the overall atmosphere of the song. Radiohead is known for their ability to experiment and push the boundaries of traditional harmonic progressions, and this chord progression is another example of that.

Chords in the Outro section of You And Whose Army by Radiohead are:

C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#, C#m, E, F#, C#