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Related Music Theory Alchemy

“Everything In Its Right Place” by Radiohead is a harmonically adventurous piece with an unconventional structure that features a mixture of modal and borrowed chords. The piece has an impressionistic quality influenced by classical lineage, while also regularly employing electronic and synthesized sounds.

The verse 2 chord progression of Radiohead’s “Everything In Its Right Place” demonstrates a combination of diatonic and non-diatonic chords with tonal ambiguity, frequent use of borrowed chords from parallel modes, and modulation. The progression has a cyclic, hypnotic quality with occasional surprises due to large leaps in pitch and unexpected, non-diatonic chords.

The chord progression in the outro of “Fake Plastic Trees” by Radiohead utilizes some common and some less common harmonic devices. The piece employs diatonic chords with some added extensions, giving a sense of tension and release. Furthermore, the progression is in the key of A major, which contributes to the overall tonality and harmonic structure.

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

Radiohead – Everything In Its Right Place – Outro

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Chord Progression

F, C, Db, Eb

Chord Progression Analysis

F major (I) – C major (V) – D♭ major (♭VI) – E♭ major (♭VII)

`D♭ major and E♭ major are borrowed chords from the parallel minor (F minor).`

Similar Chord Progressions

1. “Creep” by Radiohead: (‘I) – (‘V) – (‘♭VI) – (‘♭III)

2. “Sweet Dreams (Are Made of This)” by Eurythmics: (‘I) – (‘♭VI) – (‘♭VII) – (‘V)

3. “Bitter Sweet Symphony” by The Verve: (‘I) – (‘I) – (‘♭VI) – (‘♭VI)

While these similar chord progressions have different chord arrangements, they all make use of borrowed chords and modal mixture to achieve an emotional, distinctive sound.

Musical Analysis

The chord progression, which makes use of borrowed chords from the parallel minor, is quite unusual and adds a distinct flavor to the song. F major, the tonic chord, provides a sense of stability, while the subsequent chords add increasing levels of tension before looping back to the starting point.

Using borrowed chords, such as the D♭ major and E♭ major from the parallel minor, provides a sense of modal mixture to the progression. This creates an intriguing balance between the expected diatonic chords and unexpected modally borrowed chords, effectively maintaining a sense of tension that works well in the context of Radiohead’s ambient, experimental sound.

Overall Analysis

“Everything In Its Right Place” by Radiohead is an experimental and ambient piece released in 2000 as part of their album “Kid A.” The piece defies traditional pop and rock song forms, delving more into the territory of electronic and experimental music. The outro chord progression is simple but intriguing, serving a hypnotic and unresolved quality that keeps the listener engaged.

Style Analysis

“Everything In Its Right Place” is a clear example of Radiohead’s inclination towards experimenting with unconventional chord progressions, structures, and textures. The band, known for pushing the boundaries of rock and alternative music, embraces the use of electronic elements, synthesizers, and audio manipulation in this piece. The harmonic choices and overall atmosphere of the song contribute to its haunting, otherworldly quality.

Chords in the Outro section of Everything In Its Right Place by Radiohead are:

F, C, Db, Eb