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Related Music Theory Alchemy

Paranoid Android is a progressive rock song by Radiohead from their album “OK Computer.” The song features various time signature changes, complex harmonic structures, and a blend of distorted guitar tones and strings. The given chords belong to the first verse of the song. The overall tonality of the song is predominantly centered around the C minor key. However, there are some instances of borrowed chords and chromaticism in the chord progression, which adds tension and an unstable quality to the music.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

The chord progression in the chorus of Muse’s “Apocalypse Please” consists of a mix of diatonic chords and borrowed chords from the parallel major and minor keys. The progression features strong harmonic movement with a pivot modulation. Muse is known for their dramatic, often symphonic rock sound, and this progression is no exception in showing off their signature style. The progression also shares some similarities with other artists’ works in both structure and harmonic content.

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

Radiohead – Paranoid Android – Chorus

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Chord Progression

Gm, Dm9, E, Gm, Gm, Dm9, E, Am, G#, C, D, Am, G#, C, D, Cm, G, Bb, A, Dm, A, Dm, Dm7, Bb, F, Gm, F, E, A

Chord Progression Analysis

“`
G minor (i),
D minor 9 (v9),
E major (VI),
G minor (i),
G minor (i),
D minor 9 (v9),
E major (VI),
A minor (ii),
G# major (I#),
C major (IV),
D major (V),
A minor (ii),
G# major (I#),
C major (IV),
D major (V),
C minor (iv),
G major (VII),
Bb major (III),
A major (V/V),
D minor (v),
A major (V/V),
D minor (v),
D minor 7 (v7),
Bb major (III),
F major (VII/base),
G minor (i),
F major (VII/base),
E major (VI),
A major (V/V)
“`

Borrowed Chords:

“`G# major (I#)“`

Similar Chord Progressions

1. The Beatles – “Happiness is a Warm Gun”:
“`Cm, G, Ab, Bb, Gm, G, E, Am, G“`

2. Muse – “Citizen Erased”:
“`Am, G, F, E, Dm, G, Fmaj7, E“`

3. Tool – “Schism”:
“`Ebm7, Bb7, Bbm7, Abm, Fm, D“`

Although not exact replicas, these examples share a similar tendency of utilizing diverse and unexpected harmonic movement in an unconventional progression. They demonstrate how artists from various genres experiment with complex harmony and chromaticism to create a unique and engaging musical experience.

Musical Analysis

Radiohead’s “Paranoid Android” chorus employs several non-diatonic chords, creating a sense of unpredictability and tension. While the predominant tonality is G minor, the piece frequently ventures into other tonal centers, including C major and D major.

The progression begins with a somewhat conventional G minor – D minor – E major progression (i – v – VI), giving a sense of the natural minor scale. However, the progression then shifts to A minor (ii), followed by the borrowed G# major (I#) chord, which provides a strong chromatic contrast.

The repeated A minor – G# major – C major – D major sequence highlights a mix of diatonic degrees and borrowed chords, keeping the listener engaged. Eventually, the progression resolves to C minor (iv), before taking another series of twists and turns, finally ending with the V/V (A major) chord, which serves as a dominant push back into the tonic upon repetition of the progression.

Overall Analysis

The chorus of Radiohead’s “Paranoid Android” features an unconventional and diverse chord progression, drawing from various scale degrees. This progression contributes to the song’s complex, shifting quality, moving through several tonal centers.

Style Analysis

“Paranoid Android” exemplifies Radiohead’s use of unconventional harmony and structure in their music. The ever-evolving, unpredictable nature of the chord progression reflects the song’s moody, atmospheric quality. It combines traditional tonal harmony with chromaticism, contributing to the song’s melodic and harmonic complexity.

Chords in the Chorus section of Paranoid Android by Radiohead are:

Gm, Dm9, E, Gm, Gm, Dm9, E, Am, G#, C, D, Am, G#, C, D, Cm, G, Bb, A, Dm, A, Dm, Dm7, Bb, F, Gm, F, E, A