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Related Music Theory Alchemy

Radiohead’s “Fake Plastic Trees” is an alternative rock ballad from their 1995 album, “The Bends.” The moody and atmospheric track is characterized by its emotive vocal delivery, contrasting dynamics, rich arrangement, and engaging chord progression. This progression, in particular, features an interesting mixture of diatonic and borrowed chords that create a sense of tension and resolution throughout the piece.

“Exit Music (For a Film)” by Radiohead is a song characterized by a strong sense of melancholy and dark ambiance. The harmonic movement creates tension through the use of chromaticism, borrowed chords, and non-diatonic notes. In the verse progression, there is a mixture of minor and major chords, along with added tones that enhance the complexity and mood of the music.

“Zombie” by The Cranberries is in the key of E minor. Its structure is generally pop and rock, with the power of distorted guitars and a heavy drumbeat complemented by Dolores O’Riordan’s haunting vocals. It utilizes a four-chord progression, which is common in many pop and rock tracks and has been a popular choice amongst songwriters for its simplicity and versatility.

“Hey Joe” is a famous song by Jimi Hendrix, which features a simple yet very effective chord progression throughout its verses. It has a five-chord progression, which is C, G, D, A, and E. This progression creates a strong and recognizable flow, thus contributing to the song’s iconic status.

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

Radiohead – Fake Plastic Trees – Verse 2

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Chord Progression

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2

Chord Progression Analysis

A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2), A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2)

Similar Chord Progressions

1. Jeff Buckley – Hallelujah: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), C (I), F (IV), G (V), E (III), Am (vi)

2. Coldplay – Yellow: A (I), Aadd4 (Iadd4), Asus2 (Isus2), Dmaj7 (IVmaj7), Esus4 (Vsus4), E (V), Dsus2 (IVsus2), A (I)

While these chord progressions are not identical, they share some common elements with “Fake Plastic Trees,” including the use of extended chords, unexpected harmonic shifts, and a blend of major and minor tonalities.

Musical Analysis

The chord progression prominently features the I, IV, and V chords, which are the primary building blocks of many genres, including pop and rock music. However, Radiohead’s choice to use chord extensions (e.g., maj9, sus2, and add4) and inversions (Dmaj9/F#) adds complexity and intrigue.

The use of borrowed chords such as the Dmaj9/F# (IVmaj9) gives a sense of movement and color, while the inclusion of extended chords like Asus4 (Iadd4), Dmaj9/F# (IVmaj9), and E6 (V6) gives the progression a dreamy, ambient feel. Additionally, the sus2 chords provide harmonic tension and drivemotivating the progression forward. The alternation between major and minor chords throughout the verse further contributes to the emotional depth of the song.

Overall Analysis

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Style Analysis

“Fake Plastic Trees” showcases Radiohead’s distinct alternative rock style. The combination of diatonic and non-diatonic chords, the use of extended chords and suspensions, and the blend of major and minor chords demonstrate the band’s creativity and their departure from traditional songwriting norms. The chord progression serves to solidify Radiohead’s reputation for crafting innovative and emotionally potent soundscapes.

Chords in the Verse 2 section of Fake Plastic Trees by Radiohead are:

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2