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“Fake Plastic Trees” by Radiohead is in the key of A major and features an alternative rock style with a strong emphasis on the melody and a hauntingly beautiful vocal progression. The song contains a unique mix of simple and complex chords that give it a sense of tension and unease.

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

“And I Love Her” by The Beatles is predominantly set within the key of F# minor. Apart from the chorus that momentarily modulates to the key of D minor, the verses embrace a darker, melancholic atmosphere portrayed by the minor keys. The tonal structure and chord progressions in the song are reflective of the band’s exploration of intricate harmonies, going beyond the simple three-chord structures of many contemporary pop songs of the time.

“Strawberry Fields Forever” by The Beatles is one of the excellent examples of the unique and complex style popular in the late 1960’s. It is in the key of E and further progresses to F# minor. The progression utilizes modal interchange, chromaticism, and unusual chord progressions to create a dreamlike and psychedelic landscape that perfectly suits the lyrical theme of the song.

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

Radiohead – Fake Plastic Trees – Verse 2

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Chord Progression

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2

Chord Progression Analysis

A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2), A (I), Asus4 (Iadd4), Dmaj9/F# (IVmaj9), Dmaj9/F# (IVmaj9), E6 (V6), Dsus2 (IVsus2), A (I), Dsus2 (IVsus2)

Similar Chord Progressions

1. Jeff Buckley – Hallelujah: C (I), Am (vi), C (I), Am (vi), F (IV), G (V), C (I), G (V), C (I), F (IV), G (V), E (III), Am (vi)

2. Coldplay – Yellow: A (I), Aadd4 (Iadd4), Asus2 (Isus2), Dmaj7 (IVmaj7), Esus4 (Vsus4), E (V), Dsus2 (IVsus2), A (I)

While these chord progressions are not identical, they share some common elements with “Fake Plastic Trees,” including the use of extended chords, unexpected harmonic shifts, and a blend of major and minor tonalities.

Musical Analysis

The chord progression prominently features the I, IV, and V chords, which are the primary building blocks of many genres, including pop and rock music. However, Radiohead’s choice to use chord extensions (e.g., maj9, sus2, and add4) and inversions (Dmaj9/F#) adds complexity and intrigue.

The use of borrowed chords such as the Dmaj9/F# (IVmaj9) gives a sense of movement and color, while the inclusion of extended chords like Asus4 (Iadd4), Dmaj9/F# (IVmaj9), and E6 (V6) gives the progression a dreamy, ambient feel. Additionally, the sus2 chords provide harmonic tension and drivemotivating the progression forward. The alternation between major and minor chords throughout the verse further contributes to the emotional depth of the song.

Overall Analysis

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Style Analysis

“Fake Plastic Trees” showcases Radiohead’s distinct alternative rock style. The combination of diatonic and non-diatonic chords, the use of extended chords and suspensions, and the blend of major and minor chords demonstrate the band’s creativity and their departure from traditional songwriting norms. The chord progression serves to solidify Radiohead’s reputation for crafting innovative and emotionally potent soundscapes.

Chords in the Verse 2 section of Fake Plastic Trees by Radiohead are:

A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2, A, Asus4, Dmaj9/F#, Dmaj9/F#, E6, Dsus2, A, Dsus2