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Related Music Theory Alchemy

The chord progression in Welcome To The Machine by Pink Floyd features a combination of diatonic chords and some extensions to create a lush, ethereal sound. The progression mainly circulates around the key of E minor, with added color tones and an emotional center created by the interplay of chords such as the major 7th and the addition of the 9th degree to certain chords.

“Time” by Pink Floyd is a progressive rock song that features an uncommon chord progression with some unique harmonic choices. The Verse 2 progression has a strong sense of tonal ambiguity and the chords often fluctuate between major and minor tonalities. This contributes to the emotional depth and complexity of the song, which is characteristic of Pink Floyd’s music.

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

“Wicked Game” by Chris Isaak is in the key of B minor. The chord progression for the section provided, which is the verse, is unique due to its simplicity, making it easily accessible and memorable. Even though it is incredibly simple, consisting of just three chords, the progression manages to evoke a strong sense of melancholy and longing, which resonates powerfully with the song’s lyrical themes.

“Fake Plastic Trees” by Radiohead is a haunting and introspective ballad that features an evocative chord progression. The progression appears to have been influenced by alternative rock and combines elements of both major and minor tonalities, as well as non-diatonic and diatonic chords. This blend of harmonic flavors creates an unforgettable sound that is melancholic, yet beautiful.

Pink Floyd – Welcome To The Machine – Verse 2

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Chord Progression

Em, Cmaj7, Emadd9, C, A, Em, Cmaj7, Emadd9, Cmaj7, Emadd9, Cmaj7, Em(add9)

Chord Progression Analysis

Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – C (VI) – A (iv, borrowed from E major) – Em (i) – Cmaj7 (VI) – Emadd9 (iadd9) – Cmaj7 (VI) – Emadd9 (iadd9) – Cmaj7 (VI) – Em(add9)(iadd9)

Borrowed chord: A (iv)

Similar Chord Progressions

1. Radiohead – “Paranoid Android”
Em9 (im9) – A (IV, borrowed from E major) – Cmaj7 (VI) – Abmaj7 (bV)

2. King Crimson – “Starless”
C#m (i) – G#m (ivm) – E (I, borrowed from C# Major) – F# (V/iv) – G#m (ivm)

These examples showcase similar elements found in the “Welcome to the Machine” progression, such as modal mixture, extended chords (specifically major 7ths), and unconventional chord sequences. While the exact progression may not be the same, the techniques employed by these artists contribute to similar musical landscapes and a shared sense of harmonic sophistication.

Musical Analysis

This progression starts with an Em chord, establishing the tonal center. The next chord, Cmaj7, serves as a stark contrast, with its major 7th creating a sense of tension that resolves once the progression returns to Em.

The incorporation of the Emadd9 and Em(add9) chords adds an element of color and emotional depth to the otherwise straightforward minor harmony. The use of the borrowed A major chord adds a brief moment of brightness to the progression before returning to the darker, more melancholic tone.

Throughout this verse, Pink Floyd weaves in and out of tense harmonic moments using modal mixture (borrowing chords from parallel major/minor scales), creating an emotionally engaging journey for the listener.

Overall Analysis

The chord progression in Verse 2 of Pink Floyd’s “Welcome to the Machine” is a complex and somewhat unconventional progression. It primarily features chords from the E natural minor scale, with some borrowed chords from the parallel E major scale. The progression creates an atmospheric and moody soundscape that is characteristic of Pink Floyd’s music, especially in their album “Wish You Were Here.” It also displays a certain level of sophistication in the harmony which underscores Pink Floyd’s musical depth.

Style Analysis

This chord progression is typical of Pink Floyd’s progressive rock/psychedelic rock style. The combination of modal mixture, extended chord voicings (such as the maj7 and add9 chords), and unconventional harmonic movement contributes to their distinctive sound. The chords blend well with their signature use of ambient synthesizers, lush electric guitar textures, and introspective lyrics.

Chords in the Verse 2 section of Welcome To The Machine by Pink Floyd are:

Em, Cmaj7, Emadd9, C, A, Em, Cmaj7, Emadd9, Cmaj7, Emadd9, Cmaj7, Em(add9)