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Related Music Theory Alchemy

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“Sexx Laws” by Beck is a unique and interesting piece that combines elements of various musical styles including funk, rock, and pop. The chord progression found in Verse 3 is quite simple yet effective, creating a sense of tension and release.

As this song has a distinct classical rock sound, you’ll see a mixture of major and minor chords. The progression is in the key of E major. The use of seventh chords and suspended chords provides a dense harmonic texture.

“Wonderwall” by Oasis is a rock song with folk roots and a melodic pop influence. It uses the alternative rock idiom of harmony, which bestows the song with a sound leaning towards traditional folk and classic pop. The band utilizes common vintage chords mixed with modern progressions to create that identifiable Oasis sound.

The song “Ceilings” by Lizzy McAlpine is in the key of G Major, employing a mixture of major, minor, and additive chords to create a progression that lends itself to a pop/folk atmosphere. The song is largely composed of diatonic chords in the key of G Major, with an occasional use of a B7, which can be seen as a secondary dominant to Em.

Beck – Think Im In Love – Chorus

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Chord Progression

Ab, Eb, F, Ab, Eb, F

Chord Progression Analysis

Ab Major (I) – Eb Major (V) – F Major (♭VI) – Ab Major (I) – Eb Major (V) – F Major (♭VI)

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F Major is a borrowed chord from the parallel minor scale (Ab minor) ♭VI
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Similar Chord Progressions

1. The Beatles – “Let It Be”

C Major (I) – G Major (V) – A minor (vi) – F Major (IV) – C Major (I) – G Major (V) – F Major (IV)

2. The Rolling Stones – “You Can’t Always Get What You Want”

C Major (I) – F Major (IV) – G Major (V) – C Major (I) – F Major (IV) – G Major (V)

In both of these examples, the featured artists also use variations of the I-IV-V chord progression, which is a classic pattern within pop/rock music, but they have their unique twists to make the progression their own.

Musical Analysis

The use of the I-IV-V structure in the progression rooted in Ab major is a very common and familiar musical theme found in many styles of music, particularly in pop and rock music. By substituting the expected V chord (in this case, Eb major) with a borrowed chord (F major) from the parallel minor key, the progression adds a sense of harmonic surprise. This borrowed chord provides a smooth transition back to the I chord (Ab major), despite the harmonic differences, resulting in a pleasing resolution with some unexpected twists.

Overall Analysis

The chord progression in the chorus of Beck’s “Think I’m In Love” is a fairly simple one that revolves around two key centers, Ab major and Eb major. The main chords used are based on the I-IV-V structure which is common in rock and pop music. It features a major I-IV relationship and an unexpected chord, F major, which adds some harmonic interest.

Style Analysis

Beck is known for his eclectic style, incorporating various genres and techniques into his music. In “Think I’m In Love,” he seems to be drawing inspiration from 60s-70s pop/rock traditions which frequently used I-IV-V chord progressions. However, as mentioned earlier, the F major chord adds an element of harmonic intrigue that can be attributed to Beck’s creative and distinctive sound.

Chords in the Chorus section of Think Im In Love by Beck are:

Ab, Eb, F, Ab, Eb, F