Queen – Dont Stop Me Now – Outro
Dont Stop Me Now < All Analyses
Chord Progression
[‘F’, ‘F7’, ‘Bb’, ‘Gm7’]
Chord Progression Analysis
– F Major (I)
– F Dominant 7 (V7)
– Bb Major (IV)
– G Minor 7 (vi7)
Similar Chord Progressions
The Beach Boys’ ‘God Only Knows’ certain sections of the song follow a similar progression:
– A Major (I)
– A Dominant 7 (V7)
– D Major (IV)
– F# Minor 7 (vi7)
Radiohead’s ‘Paranoid Android’ also uses a similar progression:
– G Major (I)
– G Dominant 7 (V7)
– C Major (IV)
– E Minor 7 (vi7)
Musical Analysis
The chord progression for the outro combines a traditional I-V7-IV sequence – a common progression in many popular music genres, particularly rock. The usage of Gm7 brings a slight melodic melancholy to the end of the sequence. The movement from F7 to Bb works as a perfect 4th interval progression, resulting in the feeling of resolution; this is a key characteristic of blues and jazz progressions.
Overall Analysis
Queen’s ‘Don’t Stop Me Now’ contains a rich mixture of chord progressions, which is typical of the band’s complex songwriting. The outro of the song makes use of the F, F7, Bb, and Gm7 chords. This progression is in the key of F Major, with F being the tonic (I), F7 being the dominant 7th (V7), Bb being the subdominant (IV) and Gm7 being the submediant 7th (vi7). The Bb chord is a borrowed chord from the parallel minor key (F Minor) and the usage of F7 serves to add a level of tension before resolving to the Bb.
Style Analysis
This progression is indicative of Queen’s songwriting style, showcasing their traditional rock roots infused with elements of jazz and blues. This is evident in the F7 resolution to Bb, a common blues/jazz technique. Meanwhile, the usage of Gm7 is indicative of Brian May’s fondness for complex harmonies and unconventional chord choices.
What are the chords in: Queen – Dont Stop Me Now – Outro?
[‘F’, ‘F7’, ‘Bb’, ‘Gm7’]
