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Related Music Theory Alchemy

The chord progression in the intro of “After the Storm” by Kali Uchis showcases a mix of diatonic and chromatic movements, borrowing elements from jazz and R&B. The use of 7th chords and an augmented chord suggests a harmonically rich and colorful tonality, creating an intriguing atmosphere that captures the listener’s attention.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

The chord progression in the chorus of “Exit Music (For A Film)” by Radiohead is rather unconventional and features several borrowed chords from different modes. It showcases the band’s affinity for using non-diatonic chords and contributes to the song’s somber and haunting atmosphere.

The key of ‘Take Me Home, Country Roads’ is G Major, a common key for pop and country songs which provides a bright and uplifting sound. Throughout the song, only four different chords are used: G, D, Em and C. The progression is repeated consistently, with only the sudden introduction of an F major chord (borrowed from the parallel minor of G) towards the end of the song during a transition phase.

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

Kali Uchis – After The Storm – Chorus

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Chord Progression

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug

Chord Progression Analysis

“`
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
– Am7 (i7)
– Bm7 (ii7)
– Eaug (V+)
“`

Similar Chord Progressions

1. Erykah Badu – “On & On”
“`
Am7 (i7)
Bm7 (ii7)
Gmaj7 (VII)
Dmaj7 (IVmaj7)
“`

2. D’Angelo – “Brown Sugar”
“`
Am7 (i7)
E7 (V7)
Dm7 (iv7)
Am7 (i7)
E7 (V7)
Dm7 (iv7)
D7 (IV7)
“`

3. Robert Glasper – “Afro Blue”
“`
Am7 (i7)
E7(#9) (V7#9)
Bmin7(b5) (IIø7)
E7(b13) (V7b13)
“`

While the exact chord progression in “After The Storm” may not be mirrored in these examples, all of the songs mentioned above make use of minor seventh chords and interesting harmonic choices. Each progression showcases the influence of jazz, R&B, and soul in their respective styles.

Musical Analysis

The progression begins with a series of minor seventh chords (Am7 and Bm7) which give the music a jazzy, R&B sound. The Eaug chord, which serves as a dominant V+ chord, creates tension before resolving back to the Am7 chord, giving the progression a sense of forward momentum and instability. The repetition of this progression helps to establish a hypnotic and dreamy quality to the music.

Overall Analysis

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

Style Analysis

Kali Uchis’ “After The Storm” is rooted in the contemporary R&B and neo-soul genres, while also incorporating elements of jazz harmony and Latin music. The use of minor seventh chords in the progression is a characteristic of these styles, and the inclusion of the Eaug chord adds an unexpected twist to the harmony, giving the song its unique sound.

Chords in the Chorus section of After The Storm by Kali Uchis are:

Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug, Am7, Bm7, Eaug