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The song “Purple Rain” by Prince is a classic and showcases some interesting use of chord progressions. The key of the song is G major. The classic, popular music formula is present in the use of common chords like I, ii, IV, V which are all diatonic within the key. Noticeably, this song opts for a more simplistic, cyclical chord progression structure that emphasizes repetition of strong melodic lines.

“Cant Buy Me Love” by The Beatles, is a song in the key of C Major, but it has an interesting harmonic structure, especially in the chorus. The song features a number of borrowed and secondary dominant chords to create tension that resolves into the tonic chord. The chorus’s progression can be seen as a series of descending minor thirds, with an unexpected shift to a ii-V-I progression which is quite popular in jazz music.

The chord progression in the chorus of Kali Uchis’ “After The Storm” features a repeating progression of Am7, Bm7, and Eaug that occurs three times, with slight variations in harmony and tonality. It is a unique and interesting progression that creates tension through the use of both minor 7th and augmented chords. The overall style evokes a dreamy, jazzy atmosphere with elements of R&B and soul.

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

Prince – Little Red Corvette – Chorus

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Chord Progression

[‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Ab’]

Chord Progression Analysis

Following is the Chord progression with their Roman Numerals, and a listing of all the full chord names on one line structured.

“`
Gb Major (‘I’), Ab Major (IV — borrowed from the parallel minor), Db Major (‘V’), Bbm7 (‘iii7’)
“`

Similar Chord Progressions

Several other artists have used similar chord progressions to the one in “Little Red Corvette”. For instance,

1. “Don’t Stop Believin’” by Journey also uses the I-IV-V progression in the key of E Major:
“`
E Major (‘I’), A Major (‘IV’), B Major (‘V’)
“`
2. “Let it Be” by The Beatles uses same progression in the key of C Major:
“`
C Major (‘I’), F Major (‘IV’), G Major (‘V’)
“`

Musical Analysis

The progression begins with the tonic Gb Major, instantly creating a sense of home. It then goes to a borrowed IV Ab Major that adds a bit of flavor due to its part from a parallel minor. The progression then goes to Db Major, traditionally a dominant function, before resolving back to the tonic. The addition of ‘iii7’ (Bbm7) assists in moving back to ‘I’ from ‘V’. The repetitive use of I-IV-V gives the song a catchy, circular progression feel while the Bbm7 adds a touch of soulfulness and complexity.

Overall Analysis

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

Style Analysis

The use of borrowed chords is not uncommon in popular music of the ’80s and Prince’s music often includes harmonic complexities beyond simple triadic progressions. The syncopation and rhythmic interplay throughout the chorus also adds to its infectious groove. The modulation, strong melody and harmonization all are signature elements of Prince’s style.

Chords in the Chorus section of Little Red Corvette by Prince are:

[‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Db’, ‘Gb’, ‘Ab’, ‘Ab’, ‘Bbm7’, ‘Gb’, ‘Ab’, ‘Bbm7’, ‘Ab’]