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Related Music Theory Alchemy

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

“Every Day Is Exactly The Same” by Nine Inch Nails is primarily composed in the key of E minor. The song consists of four sections: Verse 1, Chorus, Verse 2, and Bridge. The chord progressions in the song are relatively simple, with a distinct alternation between E and C chords in the verses, while the chorus and bridge sections feature a broader range of chords such as A, C, and G.

Chord Progression Analysis (Verse 2):
E minor (i), C major (VI), E minor (i), C major (VI), E minor (i), C major (VI), G major (III), F major (♭VII; borrowed chord from E Phrygian), E minor (i)

*G major (III) and F major (♭VII) are both non-diatonic chords in E minor, with the F major chord being borrowed from the E Phrygian mode.

The chord progression for Radiohead’s “All I Need” chorus features a simple and repetitive structure, with a strong emphasis on the tonic (C major) and its relative minor (E minor). The progression then ends with a brief move to the dominant (G major), before returning to the tonic. This accessible sequence reflects the song’s emotional vulnerability and simplicity, while also showcasing the band’s ability to create emotional depth in their music.

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

“The song When Doves Cry” by Prince features a very distinctive chord progression in its chorus section. Technically the song is written in a minor key, but the progression tends to flow in a way that feels almost like a major key at times. This is a common characteristic of many Prince songs, signifying the unique and innovative style of the artist.

Nine Inch Nails – Hurt – Chorus

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Chord Progression

Bm, G, D, A, Bm, G, D, A, Bm, G, D, A, Bm, G, A, B

Chord Progression Analysis

B minor (i) – G major (VI) – D major (III) – A major (VII)

Similar Chord Progressions

1. “Creep” by Radiohead
Chord progression: G major (I) – B major (III) – C major (IV) – C minor (iv)

2. “Mad World” by Tears for Fears
Chord progression: F minor (i) – A♭ major (III) – B♭ major (IV) – D♭ major (VI)

Note that these songs utilize different keys and may not have the exact same progression as “Hurt,” but they follow a similar pattern and emotional feel due to the use of borrowed chords and related techniques. The shared aesthetic among these songs lies in their emotional depth and introspective lyricism.

Musical Analysis

The foundation of the chord progression is built around the tonic (Bm – i), submediant (G – VI), and mediant (D – III). The A major chord (VII) comes from the parallel major key (B major), which is considered a borrowed chord. This borrowed chord introduces an unexpected major quality into the progression, which adds to the emotional impact of the chorus.

Overall Analysis

“Hurt” by Nine Inch Nails features a melancholic and introspective chord progression. The song is predominantly in the key of B minor. The verse and outro sections revolve around the Bm, D, and E chords, while the chorus uses a progression of Bm, G, D, A. The use of borrowed chords enriches the harmonic landscape, adding depth to the composition.

Style Analysis

“Hurt” showcases the signature style of Nine Inch Nails, characterized by introspective lyricism, dark ambiance, and emotional vulnerability. The chord progression complements this aesthetic, evoking a sense of longing, melancholy, and regret. The song also incorporates experimental and electronic elements, along with a simple yet impactful melody.

Chords in the Chorus section of Hurt by Nine Inch Nails are:

Bm, G, D, A, Bm, G, D, A, Bm, G, D, A, Bm, G, A, B