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Related Music Theory Alchemy

This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

“Yes I’m Changing” by Tame Impala uses a repetitive chord progression throughout the majority of the song, alternating primarily between the chords C, Csus2, Cadd9, Am, F, and G. This pattern is characterized by constant resolution with the tonic of the key, C Major. However, the progression occasionally diverges from the typical diatonic pattern by introducing a G Major chord, which is a V chord in the C Major scale.

“Knights of Cydonia” by Muse features a harmonically straightforward chord progression within the rock style. This progression is primarily based in the key of E minor and centers around the Em, Bm, and A chords. Throughout the song, the driving rhythm, vocal melodies, and transitions between different sections contribute to its energetic and dramatic qualities.

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“Honky Tonk Women” by the Rolling Stones is a classic rock track steeped in the blues tradition. The song is played in the key of G Major and primarily uses chords G, C, A, and D.

**Chorus

“Undone – The Sweater Song” by Weezer features a chorus with a simple, yet effective chord progression that combines the use of power chords with major chords. This combination gives the song its distinctive indie rock sound and contributes to its overall catchiness. The chorus is based on a four-chord progression with three different chords, where G5 power chord is followed by two major chords, C and D.

Tame Impala – Alter Ego – Chorus

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Chord Progression

[‘Am’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘E’, ‘A’, ‘G’, ‘Fmaj7’, ‘Cmaj7’, ‘Bsus4’, ‘Bm7’]

Chord Progression Analysis

– ‘Am’ (i)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘E’ (V)
– ‘A’ (IV/ii – borrowed from A major)
– ‘G’ (bVII – borrowed from A major)
– ‘Fmaj7’ (VI)
– ‘Cmaj7’ (III – borrowed from A major)
– ‘Bsus4’ (ii, suspending the 3rd)
– ‘Bm7’ (ii)

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Borrowed Chords: ‘A’ (IV/ii), ‘G’ (bVII), ‘Cmaj7’ (III)
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Similar Chord Progressions

– “Because” by The Beatles has a similar use of a pattern of chords in the choruses, cycling between Emaj7, C#m, Cm, G#m, and G#m7.

– “Breathe” by Pink Floyd has a similar vibe with a revolving chord progression alternating between Bm7, A(add9), and Gmaj.

– “Marquee Moon” by Television presents a psychedelic sound with a similar vibe, the chord progression alternates between F#m, Emaj7, Dmaj7, C#m, Bm7, and Amaj7.

Bear in mind, none of these songs perfectly match ‘Alter Ego’, but they might have inspired aspects of it.

Musical Analysis

The progression starts with an ‘Am’ (i) and continuously alternates between ‘Fmaj7’ (VI) and ‘Em’ (v) chords for 9 times. This gives the feeling of suspension and tension, pairing well with the psychedelic rock genre. The pattern breaks at the ‘E’ (V) major chord, providing some predictable resolution. We then have a deceptive cadence with the ‘A’ (IV in A major) and ‘G’ (bVII in A major). The usage of ‘Cmaj7’ (III) and ‘Bsus4’ to ‘Bm7’ is similarly notable as these chords fall outside of the normal.

Overall Analysis

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

Style Analysis

Tame Impala is known for their fusion of classic psychedelic rock with modern synthesized sounds, and ‘Alter Ego’ is no exception. The Meandering progression contributes to a “dream-like” state, matched with ethereal synth and guitar tones, harkening back to late ’60s and early ’70s influences like Pink Floyd. But there’s also a frequent incorporation of more modern sounds and effects that bring the music to the present. This track might also reflect the influence of jazz, notable in the usage of the maj7, m7, and sus4 extended chords.

Chords in the Chorus section of Alter Ego by Tame Impala are:

[‘Am’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘E’, ‘A’, ‘G’, ‘Fmaj7’, ‘Cmaj7’, ‘Bsus4’, ‘Bm7’]