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This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

The song seems to have a psychedelic pop/rock vibe reminiscing of the late ’60s and ’70s. The use of major seventh chords and repeated shifting between E Major and D Major hints at a sense of yearning and nostalgia, something that is commonly found in Tame Impala’s music.

“Wild Horses” by The Rolling Stones is a rock ballad with a minor tonality and is composed in the key of G major. The song incorporates the use of modal interchange, more commonly referred to as borrowed chords, from the parallel minor. This common technique in rock music contributes to the melancholic and emotionally resonant feeling of the song.

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

The chord progression of Radiohead’s “Everything In Its Right Place” is unique and complex, which contributes to the dreamy, atmospheric, and rich harmonic content prevalent in the song. Its ambiguous key center and shifting tonal centers create a sense of fluidity and unpredictability, commonly observed in Radiohead’s style. The chorus features a blend of diatonic and borrowed chords from parallel keys, which creates a colorful, almost impressionist quality to the progression.

Tame Impala – Alter Ego – Chorus

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Chord Progression

[‘Am’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘E’, ‘A’, ‘G’, ‘Fmaj7’, ‘Cmaj7’, ‘Bsus4’, ‘Bm7’]

Chord Progression Analysis

– ‘Am’ (i)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘E’ (V)
– ‘A’ (IV/ii – borrowed from A major)
– ‘G’ (bVII – borrowed from A major)
– ‘Fmaj7’ (VI)
– ‘Cmaj7’ (III – borrowed from A major)
– ‘Bsus4’ (ii, suspending the 3rd)
– ‘Bm7’ (ii)

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Borrowed Chords: ‘A’ (IV/ii), ‘G’ (bVII), ‘Cmaj7’ (III)
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Similar Chord Progressions

– “Because” by The Beatles has a similar use of a pattern of chords in the choruses, cycling between Emaj7, C#m, Cm, G#m, and G#m7.

– “Breathe” by Pink Floyd has a similar vibe with a revolving chord progression alternating between Bm7, A(add9), and Gmaj.

– “Marquee Moon” by Television presents a psychedelic sound with a similar vibe, the chord progression alternates between F#m, Emaj7, Dmaj7, C#m, Bm7, and Amaj7.

Bear in mind, none of these songs perfectly match ‘Alter Ego’, but they might have inspired aspects of it.

Musical Analysis

The progression starts with an ‘Am’ (i) and continuously alternates between ‘Fmaj7’ (VI) and ‘Em’ (v) chords for 9 times. This gives the feeling of suspension and tension, pairing well with the psychedelic rock genre. The pattern breaks at the ‘E’ (V) major chord, providing some predictable resolution. We then have a deceptive cadence with the ‘A’ (IV in A major) and ‘G’ (bVII in A major). The usage of ‘Cmaj7’ (III) and ‘Bsus4’ to ‘Bm7’ is similarly notable as these chords fall outside of the normal.

Overall Analysis

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

Style Analysis

Tame Impala is known for their fusion of classic psychedelic rock with modern synthesized sounds, and ‘Alter Ego’ is no exception. The Meandering progression contributes to a “dream-like” state, matched with ethereal synth and guitar tones, harkening back to late ’60s and early ’70s influences like Pink Floyd. But there’s also a frequent incorporation of more modern sounds and effects that bring the music to the present. This track might also reflect the influence of jazz, notable in the usage of the maj7, m7, and sus4 extended chords.

Chords in the Chorus section of Alter Ego by Tame Impala are:

[‘Am’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘E’, ‘A’, ‘G’, ‘Fmaj7’, ‘Cmaj7’, ‘Bsus4’, ‘Bm7’]