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This chord progression from the verse of Tame Impala’s “Alter Ego” suggests a key of C major due to the recurring instances of Cmaj7. However, the presence of certain chords like Bm7 and Dm suggests that Kevin Parker is creatively “borrowing” chords from the parallel and associated keys (C minor, D minor) to create colorful departures from the primary tonality. The use of extended chords (7ths) and suspended chords (Bsus4) adds a sense of complexity and sophistication to the harmony. As can be seen, the chord progression mostly oscillates between Cmaj7, Bsus4, Bm7 before moving to Dm and Gm towards the end of the verse.

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The progression in the song “The Less I Know The Better” by Tame Impala shows a combination of borrowed chords and modal mixture, with most of the chords belonging to the key of E Major. The verse chords including G# minor, C# minor, B, and E, establish a strong use of modal interchange, borrowed from the parallel minor of E.

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The chord progression in the chorus of “Sexx Laws” by Beck is a non-diatonic chord progression that features chromatic and unexpected chords. The progression seems to be based in the key of E major, but the chords used are not strictly within the E major scale, providing a distinctive sound and style characteristic of Beck’s music. The progression contains some parallel major chords, giving it a distinct classic rock vibe.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

“Something I Can Never Have” by Nine Inch Nails is a song with a dark and moody atmosphere. The chord progression in both the verse and chorus of the song features certain borrowed chords and chromatic tones that give the piece this distinctive quality. The song seems to be in the key of C Major, but certain chords from the parallel minor key (C Minor) are used to create a sense of tension and emotional turmoil.

Tame Impala – Alter Ego – Chorus

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Chord Progression

[‘Am’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘E’, ‘A’, ‘G’, ‘Fmaj7’, ‘Cmaj7’, ‘Bsus4’, ‘Bm7’]

Chord Progression Analysis

– ‘Am’ (i)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘Em’ (v)
– ‘Fmaj7’ (VI)
– ‘E’ (V)
– ‘A’ (IV/ii – borrowed from A major)
– ‘G’ (bVII – borrowed from A major)
– ‘Fmaj7’ (VI)
– ‘Cmaj7’ (III – borrowed from A major)
– ‘Bsus4’ (ii, suspending the 3rd)
– ‘Bm7’ (ii)

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Borrowed Chords: ‘A’ (IV/ii), ‘G’ (bVII), ‘Cmaj7’ (III)
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Similar Chord Progressions

– “Because” by The Beatles has a similar use of a pattern of chords in the choruses, cycling between Emaj7, C#m, Cm, G#m, and G#m7.

– “Breathe” by Pink Floyd has a similar vibe with a revolving chord progression alternating between Bm7, A(add9), and Gmaj.

– “Marquee Moon” by Television presents a psychedelic sound with a similar vibe, the chord progression alternates between F#m, Emaj7, Dmaj7, C#m, Bm7, and Amaj7.

Bear in mind, none of these songs perfectly match ‘Alter Ego’, but they might have inspired aspects of it.

Musical Analysis

The progression starts with an ‘Am’ (i) and continuously alternates between ‘Fmaj7’ (VI) and ‘Em’ (v) chords for 9 times. This gives the feeling of suspension and tension, pairing well with the psychedelic rock genre. The pattern breaks at the ‘E’ (V) major chord, providing some predictable resolution. We then have a deceptive cadence with the ‘A’ (IV in A major) and ‘G’ (bVII in A major). The usage of ‘Cmaj7’ (III) and ‘Bsus4’ to ‘Bm7’ is similarly notable as these chords fall outside of the normal.

Overall Analysis

This chord progression is in the key of Am. The work can be seen as a mix of the Western tonal harmony, incorporating the use of inversions alongside nondiatonic chords. Tame Impala employs the elements of neo-psychedelia with unique chord progressions and arrangements. The alteration between two chords creates a revolving feeling, reinforcing the title “alter ego”.

Style Analysis

Tame Impala is known for their fusion of classic psychedelic rock with modern synthesized sounds, and ‘Alter Ego’ is no exception. The Meandering progression contributes to a “dream-like” state, matched with ethereal synth and guitar tones, harkening back to late ’60s and early ’70s influences like Pink Floyd. But there’s also a frequent incorporation of more modern sounds and effects that bring the music to the present. This track might also reflect the influence of jazz, notable in the usage of the maj7, m7, and sus4 extended chords.

Chords in the Chorus section of Alter Ego by Tame Impala are:

[‘Am’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘Em’, ‘Fmaj7’, ‘E’, ‘A’, ‘G’, ‘Fmaj7’, ‘Cmaj7’, ‘Bsus4’, ‘Bm7’]