The Beatles – Let It Be – Chorus
Let It Be < All Analyses
Chord Progression
[‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]
Chord Progression Analysis
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Here’s the chord progression analysis with Roman numerals for the chorus.
1. A minor (‘vi’)
2. G major (‘V’)
3. F major (‘IV’)
4. C major (‘I’)
5. C major (‘I’)
6. G major (‘V’)
7. F major (‘IV’)
8. C/E (‘I6’)
9. D minor 7 (‘ii7’)
10. C major (‘I’)
11. A minor (‘vi’)
12. G major (‘V’)
13. F major (‘IV’)
14. C major (‘I’)
15. C major (‘I’)
16. G major (‘V’)
17. F major (‘IV’)
18. C/E (‘I6’)
19. D minor 7 (‘ii7’)
20. C major (‘I’)
21. A minor (‘vi’)
22. G major (‘V’)
23. F major (‘IV’)
24. C major (‘I’)
25. C major (‘I’)
26. G major (‘V’)
27. F major (‘IV’)
28. C/E (‘I6’)
29. D minor 7 (‘ii7’)
30. C major (‘I’)
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Similar Chord Progressions
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1. The Police’s “Every Breath You Take” has a similar progression in its chorus: [‘G’, ‘Em’, ‘C/D’, ‘D’, ‘G’, ‘G’, ‘Em’, ‘C/D’, ‘D’, ‘G’], aligning to: G major (‘I’), E minor (‘vi’), C/D (‘IV6’), D major (‘V’), G major (‘I’).
2. Pink Floyd’s “Comfortably Numb” uses a progression with similar elements in its verse: [‘Bm’, ‘A’, ‘G’, ‘Em’, ‘Bm’], corresponding to: B minor (‘i’), A major (‘VII’), G major (‘VI’), E minor (‘iv’), B minor (‘i’).
3. Oasis’s “Wonderwall” adopts a similar progression in its chorus: [‘Em’, ‘G’, ‘D’, ‘A’, ‘Em’, ‘G’, ‘D’, ‘A’], mapping to: E minor (‘i’), G major (‘III’), D major (‘VII’), A major (‘IV’), E minor (‘i’), G major (‘III’), D major (‘VII’), A major (‘IV’).
Musical Analysis
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The chorus cyclically moves from the ‘vi’ to the ‘V’ to the ‘IV’ to the ‘I’, reinforcing the major tonality. The brief touches on the ‘vi’ chord provide an undercurrent of minor sonority, adding contrast within the progression. The ‘I6’ (C/E) chord is an example of an inverted chord used to smooth the bass motion.
The D minor 7 chord (‘ii7’) is used as a pivot chord to modulate the key, momentarily providing a softening effect before resolving back to the tonic, C major (‘I’).
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Overall Analysis
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“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.
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Style Analysis
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Beatles are known for their innovative use of chord progressions and harmonies, a feature that sets them apart from other artists of their era. In “Let It Be”, they combine conventional and uncommon progressions, embodying their talent in combining simplicity with complexity. The melody notes are primarily derived from the key of C major, providing a strong sense of unity and coherence.
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What are the chords in: The Beatles – Let It Be – Chorus?
[‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]
