Search

Related Music Theory Alchemy

“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.

The chord progression of “Because” by The Beatles demonstrates the band’s profound exploration of harmony. The song starts in the key of C# minor, revolves around this key, and includes various modulations and tonicizations to explore chords beyond the key. It heavily employs secondary dominants and borrowed chords, particularly the diminished 7th chords, which is not uncommon in Beatles’s songs. The chord progression has a dreamy and fluid flow due to these harmonic explorations.

The chorus of Taylor Swift’s “Guilty as Sin?” showcases a rich and dynamic chord progression that reflects the song’s emotional intensity and narrative depth. This progression, with its interplay of major, major seventh, and minor chords, provides a musical canvas that enhances the emotional weight of the lyrics, indicative of Swift’s sophisticated songwriting approach.

The chord progression in the chorus of Weezer’s “Buddy Holly” is in the key of A major and has a mix of diatonic and borrowed chords. Overall, it has a distinct and memorable pop-rock feel, with a strong hook and melodic quality. Through its use of secondary dominants, the progression creates tension and release, pushing the harmony forward in a compelling manner.

The chorus of Weezer’s song “Say It Ain’t So” can be analyzed as a simple and memorable chord progression in the key of C major. The progression features a repeating pattern of four chords: Am, E, F, and C.

The Beatles – Let It Be – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

[‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]

Chord Progression Analysis

**
Here’s the chord progression analysis with Roman numerals for the chorus.

1. A minor (‘vi’)
2. G major (‘V’)
3. F major (‘IV’)
4. C major (‘I’)
5. C major (‘I’)
6. G major (‘V’)
7. F major (‘IV’)
8. C/E (‘I6’)
9. D minor 7 (‘ii7’)
10. C major (‘I’)
11. A minor (‘vi’)
12. G major (‘V’)
13. F major (‘IV’)
14. C major (‘I’)
15. C major (‘I’)
16. G major (‘V’)
17. F major (‘IV’)
18. C/E (‘I6’)
19. D minor 7 (‘ii7’)
20. C major (‘I’)
21. A minor (‘vi’)
22. G major (‘V’)
23. F major (‘IV’)
24. C major (‘I’)
25. C major (‘I’)
26. G major (‘V’)
27. F major (‘IV’)
28. C/E (‘I6’)
29. D minor 7 (‘ii7’)
30. C major (‘I’)

**

Similar Chord Progressions

**

1. The Police’s “Every Breath You Take” has a similar progression in its chorus: [‘G’, ‘Em’, ‘C/D’, ‘D’, ‘G’, ‘G’, ‘Em’, ‘C/D’, ‘D’, ‘G’], aligning to: G major (‘I’), E minor (‘vi’), C/D (‘IV6’), D major (‘V’), G major (‘I’).

2. Pink Floyd’s “Comfortably Numb” uses a progression with similar elements in its verse: [‘Bm’, ‘A’, ‘G’, ‘Em’, ‘Bm’], corresponding to: B minor (‘i’), A major (‘VII’), G major (‘VI’), E minor (‘iv’), B minor (‘i’).

3. Oasis’s “Wonderwall” adopts a similar progression in its chorus: [‘Em’, ‘G’, ‘D’, ‘A’, ‘Em’, ‘G’, ‘D’, ‘A’], mapping to: E minor (‘i’), G major (‘III’), D major (‘VII’), A major (‘IV’), E minor (‘i’), G major (‘III’), D major (‘VII’), A major (‘IV’).

Musical Analysis

**

The chorus cyclically moves from the ‘vi’ to the ‘V’ to the ‘IV’ to the ‘I’, reinforcing the major tonality. The brief touches on the ‘vi’ chord provide an undercurrent of minor sonority, adding contrast within the progression. The ‘I6’ (C/E) chord is an example of an inverted chord used to smooth the bass motion.

The D minor 7 chord (‘ii7’) is used as a pivot chord to modulate the key, momentarily providing a softening effect before resolving back to the tonic, C major (‘I’).

**

Overall Analysis

**
“Let It Be” is one of The Beatles’ most popular songs and features a primarily major tonality (C Major), giving it its iconic uplifting and inspiring quality. The song’s chord progression is quite standard in terms of pop/rock music, yet it does include some interesting elements like inversions and a 7th chord to add variety and emotional depth.

**

Style Analysis

**

Beatles are known for their innovative use of chord progressions and harmonies, a feature that sets them apart from other artists of their era. In “Let It Be”, they combine conventional and uncommon progressions, embodying their talent in combining simplicity with complexity. The melody notes are primarily derived from the key of C major, providing a strong sense of unity and coherence.

**

Chords in the Chorus section of Let It Be by The Beatles are:

[‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘Am’, ‘G’, ‘F’, ‘C’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]