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“Little Sister” by Queens of the Stone Age is in C# minor and features an interesting blend of simple cycle of power chords, articulating a I – V/v – III – V progression during verses. The track is heavy but also melodic, built from a four-chord pattern that creates a mesmerizing tonality within the rock genre.

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Looking at the entire song and isolating the verse, the chord progression provided shows a rock style often seen in Queens of the Stone Age compositions. The harmonic language of this song and its progression style fall within the realm of Pop / Rock music, with frequent use of minor chords suggesting a somber or introspective mood. On first glance, it appears to contain chords primarily from the key of F# minor, with no obvious borrowings from other keys. However, a closer inspection will allow us to delve deeper into their harmonic function.

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“Electric Feel” by MGMT is a funky and psychedelic pop song with an infectious groove and memorable hooks. The chorus consists of a chord progression that features a variety of diatonic chords along with a borrowed chord from the parallel minor key. The progression is based around oscillations between minor and major tonalities, which adds a sense of tension and release. This, combined with the rhythmic syncopation and psychedelic production, contributes to the iconic and unique character of the song.

“Little Red Corvette” by Prince is in the key of Gb Major. The song is a staple of 80’s pop and a good example of Prince’s signature sound of fusing elements from different genres, such as funk, pop, and rock. It’s a strong blend of complex chord progressions and simple, catchy melodic lines which adds a compelling depth to the music.

The chord progression of the chorus in Beck’s “Girl Acoustic” is relatively simple and straightforward, yet effective in creating a memorable and catchy tune. The song is in the key of A major, and the progression maintains a predominantly diatonic harmony.

Queens of the Stone Age – Little Sister – Chorus

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Chord Progression

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]

Chord Progression Analysis

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The progression for the chorus in question can be translated to the following full chord names and Roman numerals (assuming an overall key of F# minor):

– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)
– F#sus4 (‘IVsus4)
– F#sus4 (‘IVsus4)
– E (‘III)
– G#sus4 (‘VIsus4)

Please note, F# minor and F# Major use the same roman numerals due to their relative relationship.

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Similar Chord Progressions

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One artist that comes to mind is Foo Fighters, whose song “Times Like These” features similar chord usage, particularly with sus4 chords:

– Dsus4 (‘Isus4)
– Cadd9 (‘bVIIadd9)
– Gsus4 (‘IVsus4)
– Em7 (‘IIm7)

Also, Pearl Jam’s “Alive” uses a similar pattern of suspended, major, and power chords:

– A (‘V)
– Asus4 (‘Vsus4)
– G (‘bVII)
– D (‘IV)

Keep in mind, these are not the exact chords, but the progression and usage of chords bear some similarities.

Musical Analysis

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The chord progression primarily uses suspended fourth chords (sus4), which add a suspended fourth above the root note of the chord. This provides a sense of tension or suspension which is then typically resolved by the following chord.

The progression also uses the E Major chord, which is unusual in the key of F# minor, indicating a borrowed chord from the parallel major key. This is a common technique to add color and contrast in a chord progression.

Also noteworthy is the lack of use of the dominant (C#), which contributes to the open-ended, floating feel of the song, a characteristic feature of many rock and pop songs.

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Overall Analysis

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“Little Sister” by Queens of the Stone Age is based in the rock genre, featuring a simple melody with strong rhythmic components, built on a mix of power, suspended and major chords. The use of the C#5 and G#5/D# chords in the verses and the F#sus4-E-G#sus4 repetition in the chorus indicate an overall key signature of F# minor.

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Style Analysis

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The band’s use of power chords (like C#5 and G#5/D#), and sus4 chords (like F#sus4) adheres to their general style as rock musicians and the genre’s overall tendencies. These types of chords offer a “heavier” and more ambiguous sound, often preferred in rock music.

The repetitive sequence of the three chords, F#sus4, E, and G#sus4, also are characteristic of pop and rock music, in which simplicity and repetition aid in creating a catchy, memorable tune.

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Chords in the Chorus section of Little Sister by Queens of the Stone Age are:

[‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’, ‘F#sus4’, ‘F#sus4’, ‘E’, ‘G#sus4’]