The Beatles – Let It Be – Verse 3
Let It Be < All Analyses
Chord Progression
[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]
Chord Progression Analysis
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C Major (I)
G Major (V)
A minor (vi)
A minor/G (vi)
F Major 7 (IV)
F6 (IV)
C Major (I)
G Major (V)
F Major (IV)
C Major/E (I)
D minor 7 (ii)
C Major (I)
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Similar Chord Progressions
1. The hangover track “For No One” also by The Beatles
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C Major (I)
A minor (vi)
D minor 7 (ii)
G Major (V)
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2. The song “Perfect” from Ed Sheeran
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G Major (I)
E minor (vi)
C Major (IV)
D Major (V)
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3. “High Hopes” from Kodaline
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C Major (I)
A minor (vi)
F Major (IV)
G Major (V)
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Musical Analysis
The song is built around a classic “IV-I-V-vi” pattern, contributing to its universal and easy-listening appeal. The Am/G (vi) chord is a more sophisticated version of the more common Am chord and adds an ethereal touch to the progression. The Fmaj7 (IV) adds a slight tension before resolving back to the tonic. The F6 (IV) adds color and variety to the progression. The Dm7 (ii) chord adds a different type of tension that nicely resolves back to the tonic.
Overall Analysis
“Let It Be” by The Beatles is a song in the key of C Major. The chord progression featured in Verse 3 of the song, C – G – Am – Am/G – Fmaj7 – F6 – C – G – F – C/E – Dm7 – C, is a common progression in pop music. It has a repetitive structure and revolves around the I-V-vi-VI progression.
Style Analysis
The Beatles often used conventional chord progressions but with twists, either incorporating sophisticated borrowed chords or switching chord inversions. They also often used non-diatonic chords to add color and emotional depth to their songs. “Let It Be” is a great example of this. It’s important to note that the primary hook of the song is not only in the chord progression but also in the melody and the lyrical content – a hallmark of The Beatles’ songwriting style.
What are the chords in: The Beatles – Let It Be – Verse 3?
[‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’, ‘C’, ‘G’, ‘Am’, ‘Am/G’, ‘Fmaj7’, ‘F6’, ‘C’, ‘G’, ‘F’, ‘C/E’, ‘Dm7’, ‘C’]
