Music Theory Alchemy

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“Hurt” is a song written and composed by Trent Reznor, best known for its version covered by Johnny Cash in C major. The song employs a commonly used pop/rock chord progression (vi- IV- I- V), that aids the conveyance of the theme of regret and redemption. The use of the minor vi chord (Am) as the starting point of the progression provides a very melancholy feel that aligns with the overall tone of regret in the lyrics. The progression then moves to a major IV (F), suggestive of a brief glimpse of hope or relief, before settling into the home key of C. The progression rounds off with a V chord (G), propelling the sequence back to the beginning again, giving a cyclic, repeating, and enduring feel to the music.

“Hurt”, written by Nine Inch Nails, exudes melancholy and despair through a slow progression that weaves intricate melodies between the chords. The tonality is primarily in B minor, but introduces D, E, A, and G chords throughout, indicating some mode mixture or borrowed chord use.

The chorus of “Hate This And I’ll Love You” by Muse features a highly chromatic and non-diatonic chord progression, with a myriad of borrowed chords and some distinctive rock sound. The key within which the progression is based seems to shift between E minor and B minor, with a mixture of Major and minor chords throughout.

“It’s A Fire” by Portishead is a song characterized by its frequent modulations and use of borrowed chords, making it a considerable complexity in terms of harmony. It features transition from key centers and borrowed chords from other keys, which creates tension and resolution creating the signature moody and intense atmosphere Portishead is known for.

The chord progression in the chorus of “Ramona” by Beck is an interesting mix of diatonic and borrowed chords that creates a unique and somewhat unexpected harmonic landscape. It combines major and minor chords, borrowed chords from the parallel minor key, and chromatic chords, making a rich harmonic texture.

Nine Inch Nails – Hurt – Chorus

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Chord Progression

[‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘A’, ‘B’]

Chord Progression Analysis

Here are all the full chord names and their roman numerals.

“`
B minor (i)
G Major (VI)
D Major (III)
A Major (VII)

B minor (i)
G Major (VI)
D Major (III)
A Major (VII)

B minor (i)
G Major (VI)
D Major (III)
A Major (VII)

B minor (i)
G Major (VI)
A Major (VII)
B Major (i – borrowed chord)
“`

Similar Chord Progressions

– The Axis of Awesome’s song “Four Chords” makes use of the same vi – IV – I – V progression present in “Hurt”. However, Axis of Awesome cycles these chords throughout the whole song, without the deviation presented the last line of “Hurt”.

– A multitude of pop songs use this progression, or a variation of it. This includes Journey’s “Don’t Stop Believing” (I – V – vi – IV) and The Beatles’ “Let it Be” (I – V – vi – V).

Please provide further details if the other parts of the song are also required to be analyzed.

Musical Analysis

“Burt” by Nine Inch Nails, is a highly introspective and emotive piece set in a minor key, featuring a repeating chord progression with a brief deviation in the final chord on the last line. This progression contributes to the listener’s sense of anticipation and expectation, particularly as the song builds towards its climax.

The use of the chord progression within the chorus of Bm – G – D – A is an example of a vi – IV – I – V progression when analyzed in D Major. This progression is commonly found in pop music due to its melodic resolution within the particular key and because it provides a sense of ‘completeness’. Therefore, when the progression changes on the final line to Bm – G – A – the listener perceives it as deviation from the expected resolution created by the previous progression.

The borrowed B Major chord is a direct modulation or “chromatic mediant relationship”, which occurs when the root notes of two chords are a third apart.

Overall Analysis

The song “Hurt” by Nine Inch Nails mainly consists of a six-chord progression (Bm, G, D, A, Bm, G), repeating four times in the chorus. The sixth repetition alters the ending (Bm, G, A, B), and the key of the song is B Minor.

Style Analysis

“Hurt” falls under the genre of Industrial Rock, a genre known for its harsh and experimental sounds. Yet this song takes a softer and more introspective approach, with the focus on the lyrics and the melody. The chord progression is relatively simple when compared to other songs in the same genre. This minimalism allows listeners to focus more on the artist’s poignant lyrics.

Chords in the Chorus section of Hurt by Nine Inch Nails are:

[‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘D’, ‘A’, ‘Bm’, ‘G’, ‘A’, ‘B’]