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Related Music Theory Alchemy

“Your Song” by Elton John is an iconic pop ballad featuring a piano-driven accompaniment. Harmonically, the song displays rich and varied chord progressions within key of D major, though with a significant usage of borrowed chords and alterations that contribute to a unique and expressive harmonic language. There is a classical and cinematic air about this song establishing it as a flagship Elton John classic.

“Bennie And The Jets” by Elton John, released in 1973, features a distinctive chord progression that exemplifies Elton’s advanced harmonic sensibility and taste for grand piano-based balladry. The song is mainly in the key of G Major.

“Don’t Look Back in Anger” by Oasis is written in the key of C major. Although it largely conforms to the traditional progressions expected within this key, the song does feature some interesting variations in the form of borrowed chords coming from the parallel minor key (C minor) – a common technique used in pop and rock music.

This is a beautiful chorus from “Rocket Man,” a song by Elton John. The overall vibe of the song is nostalgic and melancholy, largely due to the combination of key changes, chord progression, and Elton John’s vocal melody. The song appears to be in the key of G major.

The chorus of Muse’s “Hysteria” displays a mix of chords from the key of C Major and borrowed chords from the parallel minor key (C minor). The chord progression uses a combination of functional harmony mixed with chromatic elements, embodying characteristics of both rock and classical genres.

Elton John – Your Song – Chorus

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Chord Progression

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]

Chord Progression Analysis

The full list of chords and their roman numerals are as follows:

“`
A/C# (V6),
Bm (vi),
Em7 (ii7),
G (IV),
A/C# (V6),
Bm (vi),
Em (ii),
G (IV),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D (I),
Em (ii),
G (IV),
A (V),
Bm (vi),
Bm/A (vi6),
Bm/G# (vi6/#5),
G6 (IVadd6),
D/F# (I6),
Em (ii),
G (IV),
D (I),
G/D (IV6),
A/D (V6),
G/D (IV6),
D (I)
“`

Similar Chord Progressions

Billy Joel’s “Just the Way You Are” exhibits a similar approach to chord progression. The chords provided in one line with roman numeral analysis would look something like this:

“`
D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I), Gmaj7 (IVmaj7), F#m (iii), Bm (vi), Em (ii), A (V), D (I).
“`

Another similar progression can be seen in Carole King’s “You’ve Got a Friend”, with a slight twist in the key of A Major:

“`
A (I), Em/G (v6), D (IV), Bm (ii), F#m (vi), E (V), A (I).
“`

In both these cases, the songwriters use predominantly diatonic chords, similar to Elton John, and lean into common cadences such as VI – V and ii – V to solidify the tonal center.

Musical Analysis

The progression contains a lot of diatonic chords, including I, ii, IV, V, vi, and their inversions or variations. This helps establish D as the tonic while allowing for dynamic movement between chords.

Regarding non-diatonic chords, Bm/G# is a borrowed chord from the parallel minor, in this case, D minor. This is a common device used in pop and rock music and the baroque technique of changing the bass note under sustained chords is used with the Bm, Bm/A, Bm/G# sequence.

Overall Analysis

Your Song, like many of Elton John’s pieces, is known for its prominent piano accompaniment and strong melodic hooks. The song is in the key of D Major, which is why the frequent return to the D Major chord provides the sense of home and finality in the piece.

Style Analysis

“Your Song” highlights Elton John’s notable use of melodic and harmonic hooks to draw listeners in. Despite the relatively complex chord progressions, the song remains very accessible and singable, a characteristic of many of his most famous works.

Chords in the Chorus section of Your Song by Elton John are:

[‘A/C#’, ‘Bm’, ‘Em7’, ‘G’, ‘A/C#’, ‘Bm’, ‘Em’, ‘G’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D’, ‘Em’, ‘G’, ‘A’, ‘Bm’, ‘Bm/A’, ‘Bm/G#’, ‘G6’, ‘D/F#’, ‘Em’, ‘G’, ‘D’, ‘G/D’, ‘A/D’, ‘G/D’, ‘D’]