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Related Music Theory Alchemy

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Generally, the chord progression follows the conventional guidelines of western music, utilizing strong resolution from B (V) to E (I). However, it also employs some harmony techniques very typical in pop/rock music, such as the use of slash chords and chord inversions (A/E, F#m7/E) to add harmonic interest. In addition, it incorporates chromatic mediant relationships (E to C#m) to create a sense of progression.

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The song “Don’t Let the Sun Go Down on Me” by Elton John is brilliantly harmonized, showcasing the great musical arrangement skills of John at his best. Primarily, the song is based in the key of C Major and uses a variety of moving bass lines over mostly diatonic chords in the verses and choruses. There are some key modulations and borrowed chords that give the harmony a rich and complex quality which sets it apart from many contemporary pop songs.

Verse

“Purple Haze” by Jimi Hendrix is a classic example of psychedelic rock and blues-infused music from the late 1960s. This particular chord progression, found in Verse 2, demonstrates Hendrix’s innovative approach to harmony and showcases his integration of blues and rock influences.

Chord Progression Analysis (Roman Numerals):
E7#9 (I), G (bIII), A (IV), E (I)

Borrowed Chord:
`G (bIII)` – This chord is borrowed from the parallel minor key of E minor.

The chord progression in Verse 2 of Kali Uchis’s “After The Storm” is a mix of diatonic and chromatic chords that create an interesting neo-soul groove. The harmony is primarily based on G# minor, featuring the G#m7 and A#m7 as primary chords, and the D#aug chord adds tension and release within the progression. Additionally, the use of the D#aug chord acts as a chromatic mediant between G#m7 and A#m7.

The chord progression featured in Radiohead’s “Motion Picture Soundtrack” Verse 2 is a four-chord loop that moves from G major to C major (acting as a suspension) and B minor (with an added 9th), creating an interesting mix of tonalities and suspensions. The progression establishes G major as the tonal center but continually moves away from it, creating a sense of ambiguity.

Elton John – Im Still Standing – Verse 2

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Chord Progression

[‘E’, ‘A/E’, ‘B’, ‘E’, ‘F#m7/E’, ‘A/E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘F#m/E’, ‘E’]

Chord Progression Analysis

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E (‘I’)

A/E (‘IV/V’)

B (‘V’)

E (‘I’)

F#m7/E (‘ii7/V’)

A/E (‘IV/V’)

B (‘V’)

C#m (‘vi’)

A (‘IV’)

E (‘I’)

F#m/E (‘ii7’)

E (‘I’)

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Similar Chord Progressions

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There are not many that perfectly match Elton’s exact chord progression, since the chords he chose and their arrangements are quite unique. However, there are some similarities to other artists’ progressions.

The Beatles, “Let it Be” – The use of IV/V is quite similar, despite it being in C Major.

C (‘I’)

G (‘V’)

Am (‘vi’)

F (‘IV’)

Paul McCartney’s resolve to the IV chord (‘F’) can be compared to the A/E in Elton John’s “I’m Still Standing”.

“Imagine” by John Lennon also uses the I-V and IV-V resolve but with fewer chords:

C (‘I’),

Cmaj7 (‘I’),

F (‘IV’)

Dm (‘ii’)

F (‘IV’)

C (‘I’)

Musical Analysis

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You will notice that ‘Im Still Standing’ applies flipping principles in the chord, A/E and F#m7/E, where E is the sustained bass note. This gives a steady edge to the song, as commonly applied in rock and pop music.

Lyrically, the song moves from phrases of resolution (E, ‘I’) to tension (B, ‘V’) and back to resolution. This gives a cyclical feeling to the music, mirroring the lyrics about persistence and resilience. The ‘C#m’ (‘vi’) introduces a minor chord, adding depth and a dynamic change to the song.

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Overall Analysis

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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Style Analysis

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Elton John’s use of non-diatonic chords and complex progressions reflects a distinct blend of rock, pop and elements of jazz. His diverse influences can be heard in the song’s structure. The chord inversions, the prevalent usage of the V-I resolution and the mixture of major and minor chords are all hallmarks of his innovative style. John’s songs often feature extensive piano work, and ‘Im Still Standing’ is no exception, with its driving piano chords forming the bedrock of the song’s structure.

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Chords in the Verse 2 section of Im Still Standing by Elton John are:

[‘E’, ‘A/E’, ‘B’, ‘E’, ‘F#m7/E’, ‘A/E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘F#m/E’, ‘E’]