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Related Music Theory Alchemy

“I’m Still Standing” is a pop rock song by Elton John, from his 1983 album “Too Low For Zero”. The song is up-tempo, featuring energetic keyboard playing from Elton John, and has become one of his most enduring hits. The song is in the key of E Major.

Here’s the chord progression analysis of the coda and the full chord names with their roman numerals:

“I Guess That’s Why They Call it the Blues” is a well-known hit by Elton John from the album “Too Low for Zero” released in 1983. The song is a blend of pop, rock and blues styles and showcases Elton John’s proficiency in blending different music genres. The verse uses a straightforward I-V-vi-IV progression which is a common progression in pop music.

The Chorus’s

“Say It Ain’t So” by Weezer is an alternative rock song with a sense of melancholy in the verse and a catchy, anthemic chorus. The verse chords, which you provided, create a strong sense of movement and harmonic interest by using borrowed chords and a combination of diatonic and chromatic chord progressions.

The given chord progression for Tyler, The Creator’s “Gone Gone” verse 2 is primarily in the key of Bb major with a mixture of chords from other modes. The progression displays a combination of diatonic and borrowed chords, exhibiting the stylistic blending commonly found in modern music such as jazz, R&B, and hip-hop.

“Today” by The Smashing Pumpkins is in E minor key. The song is from the album Siamese Dream, which most perfectly represents the band’s sound leaning heavily on crunchy guitars and raw power chords. Your requested verse only includes the chord progression ‘Em’, ‘G’, ‘B’ repeated 4 times.

Elton John – Im Still Standing – Verse 2

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Chord Progression

[‘E’, ‘A/E’, ‘B’, ‘E’, ‘F#m7/E’, ‘A/E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘F#m/E’, ‘E’]

Chord Progression Analysis

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E (‘I’)

A/E (‘IV/V’)

B (‘V’)

E (‘I’)

F#m7/E (‘ii7/V’)

A/E (‘IV/V’)

B (‘V’)

C#m (‘vi’)

A (‘IV’)

E (‘I’)

F#m/E (‘ii7’)

E (‘I’)

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Similar Chord Progressions

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There are not many that perfectly match Elton’s exact chord progression, since the chords he chose and their arrangements are quite unique. However, there are some similarities to other artists’ progressions.

The Beatles, “Let it Be” – The use of IV/V is quite similar, despite it being in C Major.

C (‘I’)

G (‘V’)

Am (‘vi’)

F (‘IV’)

Paul McCartney’s resolve to the IV chord (‘F’) can be compared to the A/E in Elton John’s “I’m Still Standing”.

“Imagine” by John Lennon also uses the I-V and IV-V resolve but with fewer chords:

C (‘I’),

Cmaj7 (‘I’),

F (‘IV’)

Dm (‘ii’)

F (‘IV’)

C (‘I’)

Musical Analysis

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You will notice that ‘Im Still Standing’ applies flipping principles in the chord, A/E and F#m7/E, where E is the sustained bass note. This gives a steady edge to the song, as commonly applied in rock and pop music.

Lyrically, the song moves from phrases of resolution (E, ‘I’) to tension (B, ‘V’) and back to resolution. This gives a cyclical feeling to the music, mirroring the lyrics about persistence and resilience. The ‘C#m’ (‘vi’) introduces a minor chord, adding depth and a dynamic change to the song.

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Overall Analysis

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“Im Still Standing” by Elton John is a classic rock/pop song composed in E Major. You can see that this is a complex composition with frequent chord changes, giving it a rich musical texture. The chord progression is not diatonic, which means that it includes chords from outside of its home key of E Major.

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Style Analysis

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Elton John’s use of non-diatonic chords and complex progressions reflects a distinct blend of rock, pop and elements of jazz. His diverse influences can be heard in the song’s structure. The chord inversions, the prevalent usage of the V-I resolution and the mixture of major and minor chords are all hallmarks of his innovative style. John’s songs often feature extensive piano work, and ‘Im Still Standing’ is no exception, with its driving piano chords forming the bedrock of the song’s structure.

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Chords in the Verse 2 section of Im Still Standing by Elton John are:

[‘E’, ‘A/E’, ‘B’, ‘E’, ‘F#m7/E’, ‘A/E’, ‘B’, ‘C#m’, ‘A’, ‘E’, ‘F#m/E’, ‘E’]