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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique chord progression and distinctive guitar techniques that were ahead of its time. The song was released in 1967 on the album “Axis: Bold as Love” and showcases Hendrix’s innovative approach to guitar playing and songwriting.

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“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song characterized by various compositional techniques including chromaticism, borrowed chords, and unexpected chord progressions. The harmonic choices show Hendrix’s innovation as a songwriter, with influences of blues, rock, and jazz. The chord progression in Verse 3 mixes diatonic and non-diatonic chords, creating a sense of tension and release throughout the progression.

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“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

“Rocky Raccoon” by The Beatles incorporates chords commonly associated with the genre of folk or country music. It is primarily built on a repetitive chord progression which consists of Am7, D7sus4, D7, G7, C, and C/B. There’s also a use of plenty of sevenths and suspensions to create a slightly jazzy feel. It’s also worth noting The Beatles’ penchant for chords that provide a mix of major and minor tonalities.

“When Doves Cry” by Prince shows the artist’s flair for the unusual. While the song is primarily in A minor, Prince takes liberties with creating unexpected shifts in harmony, which gives the song its unique character. The song revolves around five chords: Am, G, Em, F, and G, repeated throughout the verse. This circular progression offers a sense of continuity, yet Prince’s interpretation and arrangement create a sense of unpredictability.

Jimi Hendrix – Castles Made Of Sand – Verse 2

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Chord Progression

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G

Chord Progression Analysis

Here’s the chord progression along with their Roman numeral notation:

F Major (IV), A Minor (vi), E Minor 7 (iii7), F Major (IV), C Major (I), G Major (V), F Major (IV), A Minor (vi), E Minor 7 (iii7), F Major (IV), C Major (I), G Major (V)

Similar Chord Progressions

1. The Beatles – “While My Guitar Gently Weeps” (Verse Chords)
Am (i), Am/G (i), Am/F# (i), Am/F (i), G (VII), D (IV), E (V), E7 (V7)

2. Radiohead – “Exit Music (For a Film)” (Verse Chords)
Am (i), Am/C (i), G (VII), G/F# (VII), F (VI), Fm (vi), E7 (V7), E7sus4 (V7sus4)

Both of these examples show the use of major and minor tonalities and non-diatonic chords within their verse progressions, similar to “Castles Made of Sand.” They also incorporate borrowed chords and variations in bass notes, which contribute to the overall sense of tension and release within their respective chord progressions.

Musical Analysis

Harmonically, this progression features some non-diatonic chords, specifically the E Minor 7, which functions as a borrowed chord from the parallel minor key, C minor. This gives the progression an interesting twist and enhances its sense of tension and release.

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Borrowed chord: E Minor 7 (iii7, from C minor)
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The use of the iv degree, F Major, in the beginning also adds to the tension of the progression – by avoiding the typical tonic chord resolution to I (C Major), the passage is given more momentum, which helps propel it forward.

There’s also a common harmonic cadence known as the plagal cadence (IV – I) when the chords move from F Major to C Major. Moreover, the progression employs the V (G Major), which has a dominant function, creating a perfect authentic cadence (V – I) at the end, providing a sense of harmonic closure.

Overall Analysis

“Castles Made of Sand” by Jimi Hendrix is a psychedelic rock song that features a unique and colorful chord progression, blending major and minor tonalities in a way that creates tension and a sense of longing. The verse consists of a 12-chord progression that builds upon the foundation of the major key of C, even though it starts with the IV chord (F), which contributes to the song’s unusual character. The progression includes borrowed chords from the parallel minor and elements specific to Hendrix’s own style, making it a remarkable piece in terms of its harmonic complexity and eclecticism.

Style Analysis

Jimi Hendrix was known for his remarkably versatile technique, both as an instrumentalist and composer, which is demonstrated in the chord progression. It epitomizes his talent for blending different harmonic elements, such as major and minor tonalities, or extended chords, like Em7. These diverse characteristics contributed to defining the psychedelic and experimental qualities of his music during the 1960s and 70s.

Chords in the Verse 2 section of Castles Made Of Sand by Jimi Hendrix are:

F, Am, Em7, F, C, G, F, Am, Em7, F, C, G