Search

Related Music Theory Alchemy

The chord progression in Verse 2 of Radiohead’s “Nude” showcases a unique blend of minor and major chords within the key of E major, highlighting the band’s signature non-traditional approach to harmony. It features borrowed chords, as well as chromatic and diatonic motion between some chords.

The verse of “All I Need” by Radiohead features a simple chord progression consisting of three main chords: C, Em, and G. It alternates between these three chords for most of the progression, with some occasional repetition of the C chord. This progression provides a consistent harmonic foundation for the vocal melody and sets a mostly stable and melancholic mood.

The chorus from Jeff Buckley’s rendition of “Hallelujah” in the key of C major beautifully demonstrates a diverse range of chords and harmonic techniques. The chord progression incorporates diatonic chords, borrowed chords, and some unexpected harmonic twists, all of which work together to create a sense of emotional depth and tension throughout the chorus.

Muse’s “Can’t Take My Eyes Off You” is a rock interpretation of the classic 1967 pop song “Can’t Take My Eyes Off You” by Frankie Valli, which has been covered by various artists in different styles. The chord progression of the chorus is characterized by a series of diatonic chords, predominant in Western pop music. This progression follows a typical 1950’s “doowop” pattern present in countless pop and rock songs, utilizing the familiar circle of fourths movement (Dm-G-C) and establishing a straightforward harmonic rhythm.

Chord Progression Analysis with Roman Numerals (borrowed chords in code block):

D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major (I) – A major (V/vi) – D minor (iv) – G major (VII) – C major (I) – A minor (vi) – D minor (iv) – G major (VII) – C major 7 (Imaj7) – C7 (I7) – C6 (I6) – C major (I) – Ab major (*bVI) – C major (I)

`* Ab major (bVI) is a borrowed chord from the parallel minor key (C minor).`

**

“Landslide” by The Smashing Pumpkins, originally by Fleetwood Mac, is written in the key of G major. The song features simple, but effective, chord progressions that are common in the folk and rock genres. The progression utilizes primary chords in the key (G, D, and C), along with some modal mixture via the borrowing of the minor iv chord (C) and minor vi chord (Am) from the parallel minor key (G minor). The secondary dominant D/F# creates tension and movement towards the Em chord. There is also the use of a G6 chord which adds color to the piece.

**

Radiohead – Nude – Chorus

Add To Favorites Remove From Favorites

< All Analyses

Chord Progression

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9

Chord Progression Analysis

B Major (I) – G#m7 (vi7) – Aadd9 (IIadd9) – G#m7 (vi7) – Aadd9 (IIadd9) – C#m7 (iii7) – Aadd9 (IIadd9)

`Borrowed chord: Aadd9 (IIadd9)`

Similar Chord Progressions

1. “Something” by The Beatles
C Major (I) – Cmaj7 (Imaj7) – C7 (I7) – F (IV) – D (II) – G (V) – Am (vi) – AmMaj7 (viMaj7) – Am7 (vi7) – Am6 (vi6)

`Borrowed chord: D Major (II)`

2. “Space Oddity” by David Bowie
Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9) – Fmaj7 (I) – Em7 (ii7) – Aadd9 (IIIadd9)

`Borrowed chord: Aadd9 (IIIadd9)`

These songs feature borrowed chords and added tensions, similar to the chord progression used in “Nude” by Radiohead. They showcase a departure from diatonic progressions, employing unexpected harmonic shifts and contributing to the uniqueness of each song’s sound.

Musical Analysis

In the key of B Major, the chords built on the first, third, and sixth scale degrees (B, C#m, and G#m) are diatonic, while the Aadd9 chord is a borrowed chord from the parallel minor key (B minor). The use of the Aadd9 chord just a half step above the G#m7 chord creates a sense of tension and surprise, deviating from the more predictable path in diatonic progressions. This is a common feature in Radiohead’s music. The cycling back and forth between the G#m7 and Aadd9 chords adds a sense of uneasiness and ambiguity, while the concluding chord, C#m7, provides a sense of resolution within the progression.

Overall Analysis

The chord progression in the chorus of “Nude” by Radiohead features a mix of diatonic and borrowed chords, with some added tensions for additional color. It reflects the band’s signature style of blending unexpected harmonic elements to create a unique and evocative sound. In particular, the mix of major and minor chords with added tensions lends a sense of both familiarity and unconventionality to the progression.

Style Analysis

Radiohead is known for unconventional and creative uses of harmony, and this chord progression is no exception. The borrowed Aadd9 chord and added tensions in the chord progression create a more complex and unexpected harmony, straying from typical pop or rock chord progressions. This characteristically Radiohead style of pushing the boundaries of harmonic expectations contributes to the emotive, mysterious sound of “Nude.”

Chords in the Chorus section of Nude by Radiohead are:

B, G#m7, Aadd9, G#m7, Aadd9, C#m7, Aadd9