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The chord progression for the verse of “Electric Feel” by MGMT is based in the key of C major. The progression mainly revolves around the use of i, v, VI, and VII chords. The song has a hypnotic, cyclic feel that is characteristic of the neo-psychedelic genre, with touches of funk and dance music elements.

“Electric Feel” by MGMT is characterized by its repetitive, catchy chord progression and usage of both major and minor chords which create a unique, surreal atmosphere. The song includes elements of psychedelic pop, funk, and electronic music.

The chord progression in the famous outro of Queen’s ‘Bohemian Rhapsody’ illustrates the eccentricity Queen was known for throughout their discography. This section consists of bold modulations, chromatic chord progressions, and borrowed chords, showing off Freddie Mercury’s compositional sophistication and creativity. It’s evident that Mercury’s influence for this song came from various musical genres, including progressive rock, classical, and operatic music.

The song “3 Libras Acoustic Live” by A Perfect Circle oscillates between an A major and a C# minor structure, with a D major introduced at the end of the progression. The dominant chords are A (represented as Asus2) and C# (represented as C#m). The final D chord can be seen as a modulation, adding a somewhat unexpected resolution that doesn’t adhere to the traditional rules of tonic-dominant resolution in either major or minor keys.

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

MGMT – Electric Feel – Outro

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Chord Progression

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F

Chord Progression Analysis

Am7 (iv7), Em (i), F (♭II), G (III), Em (i), F (♭II), Am7 (iv7), Em (i), F (♭II), G (III), Em (i), F (♭II), Am7 (iv7), Em (i), F (♭II), G (III), Em (i), F (♭II)

“`Borrowed Chord: F (♭II)“`

Similar Chord Progressions

1. Tame Impala – “Elephant”
Chord Progression: Cm7 (iv7), Gm (i), A♭ (♭II), B♭ (III), Gm (i), A♭ (♭II)

2. The Beatles – “While My Guitar Gently Weeps”
Chord Progression: Am (iv), Em (i), F♯m (♭II), G (III), Em (i), F♯m (♭II)

These songs also feature chord progressions that include both diatonic and borrowed chords to create a similar sense of tension and intrigue. They also incorporate elements of psychedelic music, making them stylistically similar to “Electric Feel.”

Musical Analysis

The chord progression starts with the Am7 (iv7) that creates a sense of tension, resolving to Em (i). The borrowed chord F (♭II) gives the progression an intriguing quality by breaking the pattern of diatonic chords. This is followed by G (III), providing a feel of movement before returning to the tonic, Em (i). The outro continues alternating between the F (♭II) borrowed chord and the diatonic G (III) chord, maintaining the unique tension throughout the outro.

Overall Analysis

The chord progression of MGMT’s “Electric Feel” outro is in E Minor, and it features a combination of diatonic chords and a borrowed chord from the parallel major key. The progression creates a sense of tension and resolution, giving the outro a captivating and memorable quality. The song itself is a psychedelic, funk-infused electro-pop track, which enhances the trippy, mesmerizing vibe of the progression.

Style Analysis

“Electric Feel” is an electro-pop song with strong influences from funk and psychedelic music. The chord progression in the outro, with its mix of diatonic and borrowed chords, reflects this style by evoking a sense of surprise, anticipation, and a dreamy, otherworldly atmosphere. The arrangement’s use of synthesizers, rhythmic guitar patterns, and smooth vocal harmonies also contribute to the song’s genre-blending sound.

Chords in the Outro section of Electric Feel by MGMT are:

Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F, Am7, Em, F, G, Em, F