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This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

“Kashmir” by Led Zeppelin is a classic rock song that is well-known for its distinctive and mysterious sound. This interlude, in particular, creates a sense of tension and resolution through its simple but effective chord progression. The overall harmonic structure is built on a modal mixture, drawing from both the major and minor modes, which contributes to its unique atmosphere.

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

“Island in the Sun” by Weezer is in the key of G major and features a simple yet catchy chord progression in its outro. The progression is characterized by its bright, uplifting sound and follows a common pop/rock formula. It also has a nostalgic, summery feel, making it a perfect fit for the song’s title and theme.

The song “Something” by The Beatles has a key center in C major. However, it modulates from time to time using a variety of techniques including secondary dominance and borrowed chords. It is a fine example of George Harrison’s complex songwriting and his adroitness at seamlessly weaving together uncommon chord progressions. Harrison employs an array of chords to inject a rich, nuanced musical quality to the song.

Led Zeppelin – Kashmir – Outro

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Chord Progression

G, A, G, A, G, A, G, A, G, A, G, A, G, A, G, A, G

Chord Progression Analysis

G major (bVII) – A major (I)

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Borrowed Chord: None in this progression
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Similar Chord Progressions

1. The Beatles – “Eleanor Rigby”
Chord progression: C major (I) – E minor (iii) – C major (I)

2. The Rolling Stones – “Gimme Shelter”
Chord progression: C# minor (i) – B major (VII) – A major (VI)

3. David Bowie – “Heroes”
Chord progression: D major (I) – G major (IV) – A major (V)

These examples provide a taste of similar two-chord or unresolved progressions in other classic rock songs. While they may not be exact matches to the Kashmir outro, they share some structural similarities within their respective context, showcasing how simple chord progressions can be effective.

Musical Analysis

This simple two-chord progression creates an interesting harmonic landscape as it avoids traditional resolutions expected in tonal music. The choice to emphasize an ascent from G major to the A major chord, rather than following a more typical resolution from the dominant chord (E major), provides the track with a distinct modal quality. This harmonic ambiguity is a signature of Eastern music influences, which are quite prevalent in Led Zeppelin’s work.

Overall Analysis

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

Style Analysis

The signature sound of “Kashmir” stems largely from Led Zeppelin’s ability to blend Western rock with Eastern elements, such as the drone-like quality of this outro. Though the chords themselves are relatively simple, the arrangement and instrumentation are what make this progression shine. The driving percussion, layered strings, and guitar embellishments give this simple progression a powerful, even hypnotic, quality.

Chords in the Outro section of Kashmir by Led Zeppelin are:

G, A, G, A, G, A, G, A, G, A, G, A, G, A, G, A, G