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“Whole Lotta Love” by Led Zeppelin is a classic example of hard rock and blues rock, characterized by its driving rhythm, distorted guitar riff, and powerful vocal performance by Robert Plant. The harmonic structure of the song is relatively simple, with a focus on the blues-based E-D-E progression during the second chorus. Although seemingly basic, this progression contributes to the song’s raw, energetic vibe.

This mid-section of “Kashmir” by Led Zeppelin features a mixolydian/modal feel, which is mostly characterized by the use of the bVII chord (D major). The chord progression primarily revolves around a simple G and A alternation, which manifests an ♭II chord (A Major) borrowed from the Phrygian mode. Following this alternation, the chord progression ascends through a series of major chords before resolving back to A Major.

The given chord progression is from Beck’s song “Sexx Laws” and runs as follows: B, G#, B, G#, B, G#, A, F#. This progression features chords mainly from the B Major key, but includes borrowed chords from the parallel minor key as well. The harmonic movement showcases Beck’s interesting approach to songwriting and shows some influence from the soul and funk genres.

“Give Me The Night” is a classic R&B and jazz-infused song by George Benson, released in 1980. The song was written by Rod Temperton and produced by Quincy Jones. It features a smooth, soulful groove, lush harmonies, and a sophisticated chord progression that is characteristic of the late 70s and early 80s R&B and jazz fusion style. The verse of the song makes use of diatonic chords with a few borrowed chords, giving the progression a rich and interesting harmonic content.

The chord progression in verse 2 of “Telepatia” by Kali Uchis is a jazz-influenced progression in the key of E minor. It features several extended chords, such as the Em9 and Gmaj7 used throughout, and a dominant chord, B7, which provides tension and resolution in the progression. The G/A chord, which is essentially an A11 chord without the 3rd, also gives the progression a sense of blending major and minor tonalities.

Led Zeppelin – Whole Lotta Love – Verse 2

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Chord Progression

D, E, D, E, D, E, D, E, D, E, D, E, D, E, D, E, D

Chord Progression Analysis

– D5 (‘bVII5)
– E5 (‘I5)

“`
D5: Borrowed chord from E Dorian
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Similar Chord Progressions

1. “Sunshine Of Your Love” by Cream:
– D5 (‘bVII5)
– E5 (‘I5)

2. “La Grange” by ZZ Top:
– A5 (‘I5)
– G5 (‘bVII5)

3. “Black Dog” by Led Zeppelin:
– A5 (‘I5)
– G5 (‘bVII5)
– D5 (‘IV5)

4. “Sweet Child O’ Mine” by Guns N’ Roses (intro riff):
– D5 (‘bVII5)
– E5 (‘I5)

As shown, several other blues-rock songs feature similar chord progressions, often revolving around power chords and the Mixolydian mode. The usage of the bVII chord, in particular, gives these songs a bluesy and edgy feel.

Musical Analysis

Though simple in structure, the driving rhythm and energy of the riff keep the listeners engaged throughout the song. The use of the power chord (E5) without the third allows for an ambiguous harmonic quality, giving the song its heavy rock sound.

The bVII chord, in this case, the D5, creates a strong pull back to the tonic, E5. It is important to note the use of the borrowed chord D5 from the E Dorian mode, which adds tension and bluesy character in the riff.

Overall Analysis

“Whole Lotta Love” by Led Zeppelin is characterized by its distinctive blues-rock style and its highly memorable, driving riff. The bulk of the song revolves around the E5 (E power) chord, with occasional transitions to the D5 chord at the beginning of each phrase, giving the song a simple yet highly effective chord progression. The song is in the key of E Mixolydian.

Style Analysis

“Whole Lotta Love” is a perfect example of Led Zeppelin’s signature style, combining elements of blues and rock in a way that is both original and definitively Zeppelin. The simple yet effective use of the power chords and the Mixolydian mode, with a touch of the Dorian mode, gives this song its recognizable blues-rock feel.

Chords in the Verse 2 section of Whole Lotta Love by Led Zeppelin are:

D, E, D, E, D, E, D, E, D, E, D, E, D, E, D, E, D