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Related Music Theory Alchemy

“Let It Happen” by Tame Impala is characterized by its psychedelic and experimental nuances. It features an overall bright and uplifting tone despite its use of some more complex chords. The song ska common in pop music. The chord progression in question has a strong melodic sensibility demonstrating Kevin Parker’s ability to incorporate complex musical ideas into a pop format.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

“Island in the Sun” by Weezer is in the key of G major and features a simple yet catchy chord progression in its outro. The progression is characterized by its bright, uplifting sound and follows a common pop/rock formula. It also has a nostalgic, summery feel, making it a perfect fit for the song’s title and theme.

The chord progression in the famous outro of Queen’s ‘Bohemian Rhapsody’ illustrates the eccentricity Queen was known for throughout their discography. This section consists of bold modulations, chromatic chord progressions, and borrowed chords, showing off Freddie Mercury’s compositional sophistication and creativity. It’s evident that Mercury’s influence for this song came from various musical genres, including progressive rock, classical, and operatic music.

Tame Impala – Let It Happen – Outro

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]

Chord Progression Analysis

Below is the full outro of the song “Let It Happen” listed with their full chord names and roman numerals:
“`plaintext
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
“`

Similar Chord Progressions

1. Billie Eilish – “Ocean Eyes”
This song uses a similar chord progression in its refrain:
“`plaintext
C Major (I)
D Minor (ii)
A minor (vi)
G Major (V)
“`
2. The Police – “Every Breath You Take”
This song features a tangent but somewhat relatable chord progression in its verses:
“`plaintext
G add9 (I)
Eb Major *Borrowed Chord* (IIIb)
D Major (V)
“`
3. Coldplay – “The Scientist”
Relevant progression in the verses:
“`plaintext
D Minor (i)
Bb Major (VI)
F Major (III)
C add9 (VII)
“`

Musical Analysis

There is a frequent cadence of I-vi-IIIIV throughout the piece. The relationship between these chords creates a progression and cadence that is both expected and satisfying. The suspended 4th chord (G#sus4) acts as a device for building tension, which is then released during the resolution back to the first degree, A Major. The borrowed chord, Emaj7, from the parallel minor adds an interesting color and unexpected mood shift in the outro, contrasting with the general progression and creating a surprising yet melodic turn in the harmony.

Overall Analysis

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

Style Analysis

Musically, Tame Impala often combines elements of psychedelic rock, synth-pop and disco, always showing strong roots in melodic and harmonic writing. The chord progression in “Let it Happen” shows this, with its searing synths and percussive elements supporting a simple but catchy loop.

Chords in the Outro section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]