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Let It Happen’ by Tame Impala employs an accessible and effective chord progression, usual in pop/rock music, yet has unusualness due to the usage of the G#sus4 chord, providing a unique tonal flavor and emotional quality. There is a striking use of harmonic contrast and a continuous return and release of tension throughout the song. This creates an immersive cyclical quality, complementing the song’s theme of embracing inevitable moments and experiences.

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Feels Like We Only Go Backwards by Tame Impala uses very interesting chord progressions that convey a feeling of constant motion. The song is primarily in the key of F Major, as revealed by the majority of the chords (F, C, Gm). However, the chord progression in the verse introduces Dm and Cmaj7/G, showing some clever use of modal interchange, also known as borrowed chords.

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“Island in the Sun” by Weezer is in the key of G major and features a simple yet catchy chord progression in its outro. The progression is characterized by its bright, uplifting sound and follows a common pop/rock formula. It also has a nostalgic, summery feel, making it a perfect fit for the song’s title and theme.

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

The chord progression in the outro of “Earfquake” by Tyler, The Creator is relatively simple and repetitive, featuring a constant alternation between Bbmaj7 and Am7 chords. This back-and-forth between the two chords creates a sense of tension and release that contributes to the dreamy and emotional atmosphere characteristic of the song.

Tame Impala – Let It Happen – Outro

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Chord Progression

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]

Chord Progression Analysis

Below is the full outro of the song “Let It Happen” listed with their full chord names and roman numerals:
“`plaintext
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
G# Suspended 4 (IIIIV)
A Major (I)
F# Minor (vi)
E Major 7 *Borrowed Chord* (VII)
A Major (I)
F# Minor (vi)
“`

Similar Chord Progressions

1. Billie Eilish – “Ocean Eyes”
This song uses a similar chord progression in its refrain:
“`plaintext
C Major (I)
D Minor (ii)
A minor (vi)
G Major (V)
“`
2. The Police – “Every Breath You Take”
This song features a tangent but somewhat relatable chord progression in its verses:
“`plaintext
G add9 (I)
Eb Major *Borrowed Chord* (IIIb)
D Major (V)
“`
3. Coldplay – “The Scientist”
Relevant progression in the verses:
“`plaintext
D Minor (i)
Bb Major (VI)
F Major (III)
C add9 (VII)
“`

Musical Analysis

There is a frequent cadence of I-vi-IIIIV throughout the piece. The relationship between these chords creates a progression and cadence that is both expected and satisfying. The suspended 4th chord (G#sus4) acts as a device for building tension, which is then released during the resolution back to the first degree, A Major. The borrowed chord, Emaj7, from the parallel minor adds an interesting color and unexpected mood shift in the outro, contrasting with the general progression and creating a surprising yet melodic turn in the harmony.

Overall Analysis

The song “Let It Happen” by Tame Impala, which is in the key of A Major, uses a simple yet effective chord progression during its outro. The common pattern of I-vi-IIIIV (Major-minor-Suspended 4) recurs throughout. The G#sus4 chord provides a moment of tension before resolving back to the tonic and restarting the pattern. The progression concludes with an Emaj7 chord, which is a borrowed chord from the parallel minor.

Style Analysis

Musically, Tame Impala often combines elements of psychedelic rock, synth-pop and disco, always showing strong roots in melodic and harmonic writing. The chord progression in “Let it Happen” shows this, with its searing synths and percussive elements supporting a simple but catchy loop.

Chords in the Outro section of Let It Happen by Tame Impala are:

[‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘G#sus4’, ‘Emaj7’, ‘A’, ‘F#m’, ‘G#sus4’, ‘A’, ‘F#m’, ‘Emaj7’, ‘A’, ‘F#m’]