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Related Music Theory Alchemy

Patterns in music are fundamental for creating musical identity. This repetition ensures the music is coherent and familiar for the listener. In the case of “Perfect” by Smashing Pumpkins, the song makes use of a common popular music chord progression known as the I – vi progression.

“Bullet With Butterfly Wings” by The Smashing Pumpkins is an alternative rock song released in 1995. The song is in the key of E minor and primarily uses power chords derived from the E minor scale throughout the song. Power chords or ‘5’ chords, like B5 or G5, don’t have a major or minor quality and are often used in rock music for their strong and neutral sound. The song also applies modal mixture (borrowing chords from parallel keys) for color and tension.

The bridge of Beck’s “Think I’m In Love” is an interesting combination of chords, showcasing unusual harmonic choices and unexpected modulations. The tonal center of this progression appears to be ambiguous, as several key centers are explored throughout the progression, creating a sense of harmonic tension and release.

“Good Vibrations” by The Beach Boys is highly complex and represents an exceptional use of harmonic structuring. The richness of the piece lies in Brian Wilson’s innovative and unpredictable songwriting, who was making significant use of modulation at the time, constantly shifting keys, in this case especially during the transition bridge.

The chord progression in the bridge of Kali Uchis’ “After The Storm” consists of two alternating chords, Amaj7 and Dmaj7, played repeatedly. This progression is simple yet effective, creating a smooth and mellow atmosphere that matches well with the song’s overall neo-soul and R&B vibe. The arrangement is in the key of A Major and has a diatonic structure without any borrowed chords.

The Smashing Pumpkins – Perfect – Bridge

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Chord Progression

[‘G’, ‘Em’, ‘D’, ‘G’, ‘Em’, ‘D’, ‘Bm’, ‘D’, ‘Bm’]

Chord Progression Analysis

The bridge progression is as follows:

– G Major (IV)
– E minor (ii)
– D Major (I)
– G Major (IV)
– E minor (ii)
– D Major (I)
– B minor (vi)
– D Major (I)
– B minor (vi)

“`Borrowed Chord: None in this progression“`

Similar Chord Progressions

1. “Let It Be” by The Beatles:
– C Major (I)
– G Major (V)
– A minor (vi)
– F Major (IV)
– C Major (I)
– G Major (V)
– F Major (IV)
– C Major (I)

2. “Wonderwall” by Oasis:
– E minor7 (Em7)
– G Major (G)
– D sus4 (Dsus4)
– A7 sus4 (A7sus4)
– E minor7 (Em7)
– G Major (G)
– D sus4 (Dsus4)
– A7 sus4 (A7sus4)

While these songs may not share the exact chord sequence with “Perfect” by The Smashing Pumpkins, they demonstrate similar use of IV – ii – I, and I – V – vi – IV progressions that provide a rich sonic environment and give a nod to the kind of nostalgic melancholy found in much of The Smashing Pumpkins’ music.

Musical Analysis

The bridge chord progression starts with the subdominant (G Major or IV), which then goes to the supertonic (E minor or ii), and resolves back to the tonic (D Major or I). This progression repeats once, before transitioning to the relative minor (B minor or vi), and then resolves back to the tonic (D Major or I), repeating again to finish the sequence.

The use of the relative minor (vi) provides a somber tonal shift in the composition, typical of Smashing Pumpkins’ introspective style. The IV – ii – I progression adds both a melodic interestingness and harmonic richness, leaning on the softer and more emotional side of the spectrum.

Overall Analysis

“Perfect” by The Smashing Pumpkins is written in the key of D major. The song takes a relatively standard and common approach in chord progression, particularly with the cyclical variations that have the onset within a classic pop/rock realm. The tonality and mid-tempo pacing give the song a melancholic and nostalgic tone.

Style Analysis

The Smashing Pumpkins, especially in their earlier works, are known for their grunge-infused alternative rock sound, which frequently uses standard chord progressions but with twist to accommodate their unique sound. Billy Corgan, the band’s primary songwriter, often applies a sort of “sweet and sour” approach to his compositions, blending uplifting major chords with gloomy minor relatives to create a signature tension and release within his music.

Chords in the Bridge section of Perfect by The Smashing Pumpkins are:

[‘G’, ‘Em’, ‘D’, ‘G’, ‘Em’, ‘D’, ‘Bm’, ‘D’, ‘Bm’]