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Related Music Theory Alchemy

“Undone – The Sweater Song” by Weezer is a grunge rock song from their debut album, “Weezer (The Blue Album)” released in 1994. The chord progression in Verse 2 seems to blend elements from both pop and rock genres, with some diatonic chords and a borrowed chord that adds an unexpected twist.

The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

The outro of “Heart Is A Drum” by Beck features a non-diatonic chord progression that includes a mixture of major, minor, and suspended chords. This chord progression results in a sense of longing and unresolved tension that is appropriate for an outro section. Additionally, the progression includes a borrowed chord, the Eb6sus2, which is borrowed from the parallel minor key and contributes to the unique, emotional quality of the song.

“Somewhere Only We Know” by Keane is a softly and tenderly written song that rests primarily on the key of C Major. However, it uses a fair amount of borrowed chords from the parallel minor key, giving it a warm, melancholic tone, which is typical of many pop ballads.

Weezer – Undone The Sweater Song – Outro

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Chord Progression

G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C

Chord Progression Analysis

– G5 (I5)
– C (IV)
– D (V)
– C (IV)
– B♭ (‘♭III’ – borrowed chord from G minor)
– G5-C-D-C-B♭ (repeat)

Similar Chord Progressions

1. Radiohead – “Creep”:
– G (I)
– B (III)
– C (IV)
– Cm (‘iv’ – borrowed chord from G minor)

2. The Beatles – “Let It Be”:
– C (I)
– G (V)
– A♭ (‘♭VI’ – borrowed chord from C minor)
– F (IV)

3. Oasis – “Wonderwall”:
– Em (ii)
– G (I)
– D (V)
– A (IV)
– C (‘♭VII’ – borrowed chord from E minor)

These three examples showcase a similar approach to using borrowed chords, providing a mix of diatonic and non-diatonic chords to create tension, color, and harmonic interest in their respective songs.

Musical Analysis

The progression starts with a G5 power chord (I5) that sets the tonal center of G major. This is followed by C major (IV) and D major (V), both diatonic chords in the key of G. The repetition of IV (C) and the use of a borrowed chord, B♭ major (♭III), from the parallel key of G minor add tension and variety to the progression. The outro alternates between these five chords, providing a sense of familiarity and unity, while still including enough variation to keep the listener engaged.

Overall Analysis

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

Style Analysis

The usage of power chords (G5) is very common in both rock and alternative styles. Bands like Weezer frequently utilize this technique to achieve a fuller guitar sound with an increased emphasis on the sonic texture. This chord progression also highlights the influence of the I-IV-V progression, which is a common feature in popular music. The borrowed chord (♭III) adds a touch of modal mixture, which is also commonly found in various genres in popular music.

Chords in the Outro section of Undone The Sweater Song by Weezer are:

G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C