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Related Music Theory Alchemy

“Undone – The Sweater Song” by Weezer features a simple yet effective chord progression in the interlude, using triadic chords and one altered chord (G6#9). The progression is in the key of G major and exhibits Weezer’s trademark alternative rock sound with a mix of pop sensibilities.

The chord progression in Verse 1 of “My Name Is Jonas” by Weezer is in the key of C Major. The progression is quite simple and common, but it includes an interesting borrowed chord to provide extra color. This can be described as a mix of pop and rock idioms.

Chord Progression Analysis (with full chord names and Roman numerals):

C Major (I) – G Major (V) – A minor (vi) – F Major (IV)

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Borrowed Chord: None in this progression
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“Think I’m In Love” by Beck is a pop-infused indie rock piece that features an easy-going, catchy melody and a simple yet effective chord progression. The use of repetitive chords throughout the Outro creates a sense of stability and familiarity. The Outro builds upon the tonal center of F Major established earlier in the song and prolongs the tonic, adding to the song’s overall sense of closure and resolution.

The outro of ‘Hey Jude’ by The Beatles is a prime example of a repeated chord progression, specifically a repeated loop of D-C-G-D. This progression is repeated throughout the last significant section of the song, often referred to as the “na na na” section, essentially becoming a kind of mantra or chant that brings the song to a sustained and palpable resolution.

“Disarm” by The Smashing Pumpkins is a piece that showcases a rather common chord progression structure in pop music, but with added embellishments and variations. The featured chords include Dsus, Em7, Cadd9, G, and Dsus/F# with a key signature suggesting that the song is in the key of G major or E minor. The prominent chord in the outro is Dsus which suggests that the song might be interpreted in the D Mixolydian mode. The use of the slash chord (D/F#) diversifies the sound of the progression and adds harmonic richness. This chord progression uses both diatonic and borrowed chords creating a familiar but interesting sound.

Weezer – Undone The Sweater Song – Outro

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Chord Progression

G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C

Chord Progression Analysis

– G5 (I5)
– C (IV)
– D (V)
– C (IV)
– B♭ (‘♭III’ – borrowed chord from G minor)
– G5-C-D-C-B♭ (repeat)

Similar Chord Progressions

1. Radiohead – “Creep”:
– G (I)
– B (III)
– C (IV)
– Cm (‘iv’ – borrowed chord from G minor)

2. The Beatles – “Let It Be”:
– C (I)
– G (V)
– A♭ (‘♭VI’ – borrowed chord from C minor)
– F (IV)

3. Oasis – “Wonderwall”:
– Em (ii)
– G (I)
– D (V)
– A (IV)
– C (‘♭VII’ – borrowed chord from E minor)

These three examples showcase a similar approach to using borrowed chords, providing a mix of diatonic and non-diatonic chords to create tension, color, and harmonic interest in their respective songs.

Musical Analysis

The progression starts with a G5 power chord (I5) that sets the tonal center of G major. This is followed by C major (IV) and D major (V), both diatonic chords in the key of G. The repetition of IV (C) and the use of a borrowed chord, B♭ major (♭III), from the parallel key of G minor add tension and variety to the progression. The outro alternates between these five chords, providing a sense of familiarity and unity, while still including enough variation to keep the listener engaged.

Overall Analysis

The chord progression in the outro of Weezer’s “Undone – The Sweater Song” follows a repeating pattern with a combination of major and power chords. The overall key of the progression is G major, and the chords follow a predictable pattern that is rooted in rock and alternative music styles. The chord progression uses borrowed chords from the parallel key of G minor, specifically the B♭ major chord.

Style Analysis

The usage of power chords (G5) is very common in both rock and alternative styles. Bands like Weezer frequently utilize this technique to achieve a fuller guitar sound with an increased emphasis on the sonic texture. This chord progression also highlights the influence of the I-IV-V progression, which is a common feature in popular music. The borrowed chord (♭III) adds a touch of modal mixture, which is also commonly found in various genres in popular music.

Chords in the Outro section of Undone The Sweater Song by Weezer are:

G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C, Bb, G5, C, D, C