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The given chord progression is from the verse 3 of the song “The Good Life” by Weezer. The song is in the key of G major and features a mix of diatonic chords from the G major scale and a borrowed chord from the parallel minor (G minor).

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The chord progression in Weezer’s “Perfect Situation” is a simple and repetitive progression that cycles through three chords, G, D, and Am, with D being used as a transitional or “passing” chord. This progression is based on the I – V – ii structure in the key of G major.

The outro of “Kashmir” by Led Zeppelin features a simple alternating chord progression between G major and A major, which creates tension by avoiding a resolution to the tonic or dominant chords. This makes the progression sound unstable, yet well defined as it repeats. The recurring ascending motion creates a sense of lift throughout the outro, while the lack of a true resolution maintains a feeling of unease. This progression is notable for its simplicity, as well as how it invokes a modal sound that is characteristic of the mixolydian mode often used in rock music.

The chord progression in the outro of “After The Storm” by Kali Uchis is a relatively simple and concise one, having just three chords: G#m7, A#m7, and D#aug. Considering that the key of this song is G# minor, the progression makes use of diatonic and non-diatonic chords. Moreover, incorporating an augmented chord lends a feeling of tension and anticipation that makes the outro stand out.

The outro of George Benson’s “Give Me The Night” features a smooth, soulful chord progression that is common to jazz, R&B, and pop music. The progression has a descending movement with alternating minor 7th and major 7th chords. This repetition creates a sense of ambience and resolution, making it an ideal conclusion to the song.

Weezer – The Good Life – Outro

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Chord Progression

Em, Am, D

Chord Progression Analysis

E minor (i) – A minor (iv) – D major (VII)

“`Borrowed Chord: None. All chords belong to the E natural minor scale.“`

Similar Chord Progressions

1. Radiohead – “Karma Police” (Outro)
A minor (i) – E minor (v) – D major (VII)

2. Nirvana – “Come As You Are” (Verse)
E minor (i) – G major (III) – D major (VII) – A major (VI)

3. Smashing Pumpkins – 1979 (Outro)
E minor (i) – D major (VII) – G major (III) – A major (VI)

In conclusion, the chord progression in the outro of Weezer’s “The Good Life” is simple yet evocative, and it’s characteristic of the alternative rock and power-pop musical styles of the 1990s. The progression, alongside similar ones from other music artists of the time, showcases specific stylistic qualities and reflects the introspective nature of the genre.

Musical Analysis

The chord progression in the outro of “The Good Life” by Weezer features movement by 4ths and 5ths, which is a common harmonic device in Western music. The progression starts on the tonic chord (Em) and then moves to the subdominant chord (Am) before reaching the subtonic chord (D major). This progression creates a reflective and melancholic atmosphere that is characteristic of alternative rock and power-pop music of the 90s.

Overall Analysis

The chord progression “[‘Em’, ‘Am’, ‘D’]” from the outro of Weezer’s “The Good Life” is a simple, yet effective progression in the key of E minor. It demonstrates a melancholic feel common to alternative rock and power-pop music genres of the 1990s. The chords in this progression are borrowed from the E natural minor scale.

Style Analysis

Weezer’s “The Good Life” is a prime example of mid-90s alternative rock and power-pop. The chord progression and overall harmonic texture contribute to the song’s introspective and emotional feel. This is quite characteristic of Weezer’s songwriting during this period, especially on their 1996 album “Pinkerton,” from which “The Good Life” was released as a single.

Chords in the Outro section of The Good Life by Weezer are:

Em, Am, D