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“Say It Ain’t So” by Weezer is a rock song, primarily falling within the alternative rock and power pop styles. The chord progression of Verse 1 is simple yet effective in creating a somber, introspective mood. It primarily utilizes diatonic chords of the C major key, with the E major chord borrowed from the parallel minor key (C minor).

Chord progression analysis with Roman numerals:
A minor (vi) – E major (V/vi) – F major (IV) – C major (I)

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Borrowed chord: E major (V/vi)
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The bridge of Weezer’s “Say It Ain’t So” features an intriguing chord progression, which presents both diatonic and borrowed chords, as well as chromatic harmony. The song’s key is C major, but it touches on the parallel minor key and incorporates unusual chords such as the Eb major chord, which adds tension and surprise. The chord progression and harmonic rhythm are fairly consistent throughout the bridge, creating a sense of unity.

“Hey Jude,” written by The Beatles, charts a classic journey from tonic to dominant, with a detour through the subdominant and the minor dominant. It starts with a D chord (I), moves onto A (V), then A7 (V7) and back to D (I). The interlude features the progression D (I) – D7 (I7) – A7 (V7). This clever progression creates a momentary modulation to the key of G with the D7 chord, creating an interesting harmonic shift.

The chord progression in the interlude of “Are We Still Friends?” by Tyler, The Creator is a simple yet effective progression that moves from the tonic chord to a dominant seventh, followed by a subdominant chord, and finally a minor subdominant chord. The progression creates an interesting shift in tonality that is common in jazz and soul music, which are styles that Tyler is known to incorporate into his work.

The song “A Day in the Life” by the Beatles is known for its unique and striking musical features. The chord progression in the interlude, in particular, represents an example of the Beatles’ innovative approach to harmonic structure and tonal movement. This section is essentially a sequence of dominant-seventh chords that each resolve to the note a fifth below, a common harmonic progression known as the circle of fifths. The interlude features a prominent orchestral crescendo and transition that are hallmarks of the Beatles’ experimental approach to the use of orchestral instruments in rock music.

Weezer – Say It Aint So – Interlude

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Chord Progression

Am, E, F, C, Am, E, F, C

Chord Progression Analysis

Am (vi), E (V/vi), F (IV), C (I), Am (vi), E (V/vi), F (IV), C (I)

Similar Chord Progressions

1. Nirvana – “Smells Like Teen Spirit”
Am (vi), E (V/vi), G (V/v), C (I), F (IV), B♭ (♭VII), Am (vi), E (V/vi)

2. Radiohead – “Creep”
C (I), E (V/vi), F (IV), Fm (iv)

3. Oasis – “Wonderwall”
C (I), E (V/vi), Am7 (vi7), G (V)

In these examples, similar elements of unconventional chord progressions, borrowed chords, and chromaticism can also be seen, which reflect the alternative rock styles represented by each of these artists.

Musical Analysis

The interlude starts with the vi chord (Am), which is the relative minor of the tonic (C major). This creates a moody atmosphere before resolving to the V/vi chord (E major). This E major is a borrowed chord from the C# minor scale, and it serves to create a sense of tension that resolves to the IV chord (F major). Finally, the progression resolves back to the I chord (C major), completing the loop. This cycle repeats once more to conclude the interlude.

Overall Analysis

The interlude piece from Weezer’s “Say It Ain’t So” features an eight-chord progression in the key of C major, with prevalent use of Roman numeral notation and borrowed chords from parallel minor scales. This progression is typical in rock and pop music, representing Weezer’s alternative rock style.

Style Analysis

The usage of borrowed chords is emblematic of Weezer’s alternative rock style, which often features unconventional chord progressions and harmonic choices. This particular interlude showcases a departure from the more traditional diatonic progressions of the time, instead, opting for a more chromatic approach to harmony. Notably, the use of a major V chord (E major) in a minor context adds to the emotional complexity and contributes to the unique character of the song.

Chords in the Interlude section of Say It Aint So by Weezer are:

Am, E, F, C, Am, E, F, C